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“Thesun。”sheremarkedirrelevantly。”hasburntyou。I’mgettingdown。”
Sheswungherselfdownintomyarms,andstoodbesidemefacetoface。
“Where’sCothope?”sheasked。
“Gone。”
Hereyesflittedtothepavilionandbacktome。Westoodclosetogether,extraordinarilyintimate,andextraordinarilyapart。
“I’veneverseenthiscottageofyours。”shesaid,“andIwantto。”
Sheflungthebridleofherhorseroundtheverandapost,andI
helpedhertieit。
“DidyougetwhatyouwentfortoAfrica?”sheasked。
“No。”Isaid,“Ilostmyship。”
“Andthatlosteverything?”
“Everything。”
Shewalkedbeforemeintotheliving-roomofthechalet,andI
sawthatshegrippedherriding-whipverytightlyinherhand。
Shelookedaboutherforamoment,——andthenatme。
“It’scomfortable。”sheremarked。
Oureyesmetinaconversationverydifferentfromtheoneuponourlips。Asombreglowsurroundedus,drewustogether;anunwontedshynesskeptusapart。Sherousedherself,afteraninstant’spause,toexaminemyfurniture。
“Youhavechintzcurtains。Ithoughtmenweretoofecklesstohavecurtainswithoutawoman。But,ofcourse,yourauntdidthat!Andacouchandabrassfender,and——isthatapianola?
Thatisyourdesk。Ithoughtmen’sdeskswerealwaysuntidy,andcoveredwithdustandtobaccoash。”
Sheflittedtomycolourprintsandmylittlecaseofbooks。
Thenshewenttothepianola。Iwatchedherintently。
“Doesthisthingplay?”shesaid。
“What?”Iasked。
“Doesthisthingplay?”
Irousedmyselffrommypreoccupation。
“Likeamusicalgorillawithfingersallofonelength。Andasortofsoul。It’salltheworldofmusictome。”
“Whatdoyouplay?”
“Beethoven,whenIwanttoclearupmyheadwhileI’mworking。
Heis——howonewouldalwaysliketowork。SometimesChopinandthoseothers,butBeethoven。Beethovenmainly。Yes。”
Silenceagainbetweenus。Shespokewithaneffort。
“Playmesomething。”Sheturnedfrommeandexploredtherackofmusicrolls,becameinterestedandtookapiece,thefirstpartoftheKreutzerSonata,hesitated。“No。”shesaid,“that!”
ShegavemeBrahms’SecondConcerto,Op。58,andcurleduponthesofawatchingmeasIsetmyselfslowlytoplay。
“Isay。”hesaidwhenIhaddone,“that’sfine。Ididn’tknowthosethingscouldplaylikethat。I’mallastir。”
Shecameandstoodoverme,lookin