The Price She Paid

第9章

Cyrillaheldupthepaper。``Thistellshowshebecameoneofthesurestandmostpowerfuldramaticsopranosthateverlived。’’

``Shemusthavebeenadullpersontohavebeenabletoleadthekindoflifethat’sdescribedthere,’’saidMildred。

``Onlytwokindsofpersonscoulddoit,’’repliedCyrilla——``adullperson——aplodder——andagenius。

Middlingpeople——they’rethekindthatfilltheworld,they’reyouandI,mydear——middlingpeoplehavetofusswiththetriflesthatmustbesacrificedifoneistodoanythingbig。Youcallthosetriflesyourfreedom,butthey’reyourslavery。AndbysacrificingthemtheLuciaRivisbuytheirfreedom。’’Cyrillalookedatthepaperwithaheavysigh。``Ah,IwishIhadseenthiswhenIwasyourage。Now,it’stoolate。’’

SaidMildred:``Wouldyouseriouslyadvisemetotrythat?’’

Cyrillacameandsatbesideherandputanarmaroundher。``Mildred,’’shesaid,``I’veneverthrustadviceonyou。Ionlydaredoitnowbecauseyouaskme,andbecauseIloveyou。Youmusttryit。It’syouronechance。Ifyoudonot,youwillfail。Youdon’tbelieveme?’’

Inatonethatwasadmission,Mildredsaid:``I

don’tknow。’’

``Keithhasgivenyoutherethesecretofasuccessfulcareer。You’llneverreaditinanybook,orgetitfromanyteacher,orfromanysingerormanagerordoctor。Youmustlivelikethat,youmustdothosethingsoryouwillfaileveninmusicalcomedy。Youwouldfailevenasanactress,ifyoutriedthat,whenyoufoundoutthatthesingingwasoutofthequestion。’’

Mildredwasimpressed。PerhapsshewouldhavebeenmoreimpressedhadshenotseenKeithandMrs。

Brindleyinthetaxi,KeithtalkingearnestlyandMrs。

Brindleylisteningasiftoanoracle。Saidshe:

``PerhapsI’lladoptsomeofthesuggestions。’’

Cyrillashookherhead。``It’saroutetosuccess。

Youmustgothewholerouteornotatall。’’

``Don’tforgetthattherehavebeenothersingersbesidesRivi。’’

``NotanythatIrecallwhoweren’tnaturallypowerfulineveryway。Andhowmanyofthembreakdown?

Mildred,pleasedoputthesillynonsenseaboutnervesandtemperamentandinspirationandoverworkandweatherandclimate——putallthatoutofyourhead。

Buildyourtempleofacareerashighandgracefulanddelicateasyoulike,butbuilditonthecoarse,hard,solidrock,dear!’’

Mildredtriedtolaughlightly。``HowMr。Keithdoeshypnotizepeople!’’criedshe。

Mrs。Brindley’scheeksburned,andhereyesloweredinacuteembarrassment。``Hehasawayofbeingsplendidlyandsensiblyright,’’saidshe。``Andthetruthiswonderfullyconvincing——onceoneseesit。’’

Shechangedthesubject,anditdidnotcomeup——or,perhaps,comeOUTagain——beforetheywenttobed。

ThenextdayMildredbeganthedepressing,hopelesssearchforaplacetolivethatwouldbeclean,comfortable,andcheap。Thosethreeadjectivesdescribetheideallodging。butitwillbenotedthatallthesearerelative。Infact,noneofthethreemeansexactlythesamethingtoanytwomembersofthehumanfamily。

Mildred’snotionofclean——likehernotionofcomfortable——onaccountofherbringingupimpliedalargeelementofluxury。Asfortheword``cheap,’’itreallymeantnothingatalltoher。Fromonestand-

pointeverythingseemedcheap。fromanother,everythingseemeddear。thatis,toodearforayoungwomanwithlessthanfivehundreddollarsintheworldandnosubstantialprospectofgettingasingledollarmore——

unlessbyhookandcrook,bothofwhichmeansshewasresolvednottoemploy。

Neverhavingearnedsomuchasasinglepenny,theideaofanyone’sgivingheranythingforwhatshemightbeabletodowasdisturbinglyvagueandunreal。

Ontheotherhand,lookingabouther,shesawscoresofmenandwomen,personallyknowntohertobedullofconversation,andnotwellmanneredorwelldressedorwellanything,whoweremakinglivingswithoutoverwhelmingdifficulty。WhynotMildredGower?Inthisviewtheoutlookwasnotdiscouraging。``I’llnodoubtgothroughsomediscomfort,gettingmyselfplaced。ButsomewhereandsomehowIshallbeplaced——andhowIshallrevengemyselfonDonaldKeith!’’

Hisfascinationforherhadnotbeendestroyedbyhishumiliatinglackofbeliefinher,norbyhiscold-hearteddesertionatjustthecriticalmoment。Buthisconducthadgivenhertheincentiveofrage,ofstungvanity——

orwoundedpride,ifyouprefer。Shewouldgethimback。shewouldforcehimtoadmit。shewouldwinhim,ifshecould——andthatoughtnottobedifficultwhensheshouldbesuccessful。Havingwonhim,then——

Whatthen?Somethingsuperbinthewayofrevenge。

shewoulddecidewhat,whenthehouroftriumphcame。

Meanwhileshemustsearchforlodgings。

Inherjourneyingsundertheguidanceofattractiveadvertisementsand``carefullyselected’’agents’lists,shefoundherselfinfrontofherfirstlodgingsinNewYork——thehouseofMrs。Belloc。ShehadoftenthoughtoftheNewEnglandschool-teacher,arrivedbysuchstrangepathsatsuchastrangepositioninNewYork。Shehadstartedtocallonhermanytimes,buteachtimehadbeenturnedaside。NewYorkmakesitmorethandifficulttofindtimetodoanythingthatdoesnothavetobedoneatadefinitetimeandforadefinitereason。Shewaswornoutwithherfutiletrampingsupanddownstreets,upanddownstairs。Upthestonestepsshewentandrangthebell。

Yes,Mrs。Bellocwasin,andwouldbegladtoseeher,ifMissStevenswouldwaitinthedrawing-roomafewminutes。Shehadnotseatedherselfwhendownthestairscamethefresh,pleasantlycountrifiedvoiceofMrs。Belloc,invitinghertoascend。AsMildredstartedup,shesawattheheadofthestairsthefrankandcheerfulfaceoftheladyherself。Shewasholdingtogetherattheneckathinsilkwrapperwhoselinesstronglysuggestedthatitwastheonlygarmentshehadon。

``Whyshouldoldfriendsstandonceremony?’’saidMrs。Belloc。``Comerightup。I’vebeentakingabath。Mymasseusehasjustgone。’’Mrs。Bellocenclosedherinadelightfullyperfumedembrace,andtheykissedwithenthusiasm。

``IAMgladtoseeyou,’’saidMildred,feelingallatonceathrillingsenseofat-homeness。``Ididn’trealizehowgladI’dbetillIsawyou。’’

``It’dbeaprettystiffsortthatwouldn’tfeelathomewithme,’’observedMrs。Belloc。``NewYorkusuallystiffenspeopleup。It’shadtheoppositeeffectonme。

ThoughImustsay,IhavelearnedtostiffenwithpeopleIdon’tlike——andI’llhavetoadmitthatIlikefewerandfewer。Peopledon’twearwell,dothey?WhatIS

thematterwiththem?Whycan’ttheybenaturalandnotmakethemselvesintorubbishy,oldscrap-bagsfulloffakesandpretenses?You’relookingatmyhair。’’

TheywereinMrs。Belloc’scomfortablesitting-roomnow,andshewassmokingacigaretteandregardingMildredwithanexpressionofdelightthatwasmostflattering。SaidMildred:

``Yourhairdoeslookwell。It’sthicker——isn’tit?’’

``Thinkso?’’saidMrs。Belloc。``Itoughttobe,withallthetimeandmoneyI’vespentonit。My,howNewYorkdoessetawomantorepairingandfixingup。

Nothingartificialgoeshere。Itmustn’tbepaintandplumpersandpads,buttherealteeth。Why,I’vehadfourrealteethsetinasiftheywererooted——andmyhipstoneddown。YoumayrememberwhatheavylegsIhad——piano-legs。Lookat’emnow。’’Mrs。Bellocdrewthewrappertoherkneeandexposedinapale-

bluesilkstockingathinandcomelycalf。

``YouHAVEbeenbusy!’’saidMildred。

``That’sonlyalittlepart。Istartedtotellyouaboutthehair。Itwasgettinggray——notinanice,prettyway,allover,butinspotsandstreaks。Nothingelsemakesawomanlooksoraggedanddingyandoldasspotted,streakygrayhair。SoIhadthehair-womantouchitup。Shevowsitwon’tmakemyfacehard。

That’sthetroublewithdyedortouchedhair,youknow。

Butthisisanewprocess。’’

``It’scertainlyasuccess,’’saidMildred。Andinfactitwas,andthankstoitandtheotherimprovementsMrs。

Bellocwasanattractiveandevenaprettywoman,yearsyoungerthanwhenMildredsawher。

``Yes,IthinkI’veimproved,’’saidMrs。Belloc。

``Nothingtoscreamabout——butworthwhile。That’swhatwe’realivefor——toimprove——isn’tit?I’venopatiencewithpeoplewhoslideback,ordon’tgeton——

peoplewhogetlessandlessastheygrowolder。Thetroublewiththemisthey’revain,satisfiedwiththemselvesastheyare,andlazy。Mostwomenaretoolazytolive。They’llonlyfixuptocatchaman。’’

Mildredhadgrownsoberandthoughtful。

``Tocatchaman,’’continuedMrs。Belloc。``Andnotmuchevenforthat。I’llwarrantYOU’REgettingon。

Tellmeaboutit。’’

``Tellmeaboutyourself,first,’’saidMildred。

``WHYallthisexcitementaboutimproving?’’

Andshesmiledsignificantly。

``No,you’llhavetoguessagain,’’saidMrs。Belloc。

``Notaman。Youremember,IusedtobecrazyaboutgaylifeinNewYork——goingout,andmen,theaters,andlobster-palaces——everythingIdidn’tgetinmyhometown,everythingthecitymeanstothejays。

Well,I’vegottenoverallthat。I’mimproving,mindandbody,justtokeepmyselfinterestedinlife,tokeepmyselfyoungandcheerful。I’minterestedinmyself,inmyhouseandinwoman’ssuffrage。Notthatthewomenarefittovote。Theyaren’t,anymorethanthemen。ButwhatMAKESpeople?Why,responsibility。

ThatoldscampImarried——he’sdead。AndI’vegotthemoney,andeverything’sverycomfortablewithme。

Justthink,Ididn’thaveanylucktillIwasanoldmaidfargone。I’mnottellingmyage。Allmylifeithadrainedbadluck——pitchforks,tinesdown。Andwhy?’’

``Yes,why?’’saidMildred。Shedidnotunderstandhowitwas,butMrs。Bellocseemedtobesayingtheexactthingssheneededtohear。

``I’lltellyouwhy。BecauseIdidn’twork。Drudgingalongisn’tworkanymorethandawdlingalong。

Workmeanspurpose,meanshead。Andmyluckbeganjustasanybody’sdoes——whenIroseupandgotbusy。Youmaysayitwasn’tverycreditable,thewayIbegan。butitwasthebest_I_coulddo。Iknowitisn’tgoodmorals,butI’mwillingtobetthatmanyamanhaslaidthefoundationsofabigfinecareerbydoingsomethingthatwasn’tatallniceorright。Hehadtodoit,to`getthrough。’Ifhehadn’tdoneit,he’dneverhave`gotthrough。’Anyhow,whetherthat’ssoornot,everyone’sgottomakeafighttobreakintothepartoftheworldwhereliving’sreallyworthliving。ButI

needn’ttellYOUthat。You’redoingit。’’

``No,I’mnot,’’repliedMildred。``I’mashamedtosayso,butI’mnot。I’vebeenbluffing——andwastingtime。’’

``That’sbad,that’sbad,’’saidMrs。Belloc。

``Especially,asyou’vegotitinyoutogetthere。What’sbeenthetrouble?Thewrongkindofassociations?’’

``Partly,’’saidMildred。

Mrs。Belloc,watchingherinterestedly,suddenlylightedup。``Whynotcomebackheretolive?’’saidshe。``Now,pleasedon’trefusetillIexplain。YourememberwhatkindofpeopleIhadhere?’’

Mildredsmiled。``Rather——unconventional?’’

``That’spolite。Well,I’vecleared’emout。NotthatImindedtheirunconventionality。Ilikedit。Itwassodifferentfromthestraight-jacketsandthehypocrisyI’dbeenlivingamongandhating。ButIsoonfoundoutthat——well,MissStevens,theaveragehumanbeingoughttobeprettyconventionalinhismoralsofacertainkind。Ifhe——orSHE——isn’t,theybegintogetunconventionalineveryway——aboutpayingtheirbills,forinstance,andaboutdrinking。Igotsickandtiredofthosepeople。So,Iput’emallout——madeasweep。AndnowI’vebecomequiteasrespectableasIcaretobe——orasisnecessary。Thecouplesinthehousearemarried,andthey’renicepeopleofgoodfamilies。ItwasMrs。Dyckman——she’sgotthewholesec-

ondfloorfront,sheandherhusbandandthedaughter——itwasMrs。Dyckmanwhointerestedmeinthesuffragemovement。Youmusthearherspeak。Andthedaughterdoeswellatit,too——andkeepsafashionablemillinery-shop——andshe’sonlytwenty-four。Thenthere’sNoraBlond。’’

``Theactress?’’

``Theactress。She’sthequietest,hardest-workingpersonhere。She’sgotthewholefirstfloorfront。

Nobodyevercomestoseeher,exceptonSundayafternoon。

Sheleadsthequeerestlife。’’

``Tellmeaboutthat,’’saidMildred。

``Idon’tknowmuchaboutit,’’confessedMrs。

Belloc。``She’sregularasaclock——doeseverythingontime,andatthesametime。Twomealsaday——oneofthemadrylittlebreakfastshegetsherself。Walks,fencing,athletics,study。’’

``Whatslavery!’’

``She’sthehappiestpersonIeversaw,’’retortedMrs。

Belloc。``Why,she’sgotherwork,hercareer。Youdon’tlookatitright,MissStevens。Youdon’tlookhappy。What’sthematter?Isn’titbecauseyouhaven’tbeenworkingright——becauseyou’vebeendoingtheseallegedpleasantthingsthatleaveabadtasteinyourmouthandweakenyou?I’llbet,ifyouhadbeenworkinghard,you’dnotbeunhappynow。Bettercomeheretolive。’’

``Willyouletmetellyouaboutmyself?’’

``Gorightahead。MayIaskquestions,whereI

wanttoknowmore?Idohatetogetthingshalfway。’’

Mildredfreelygaveherleave,thenproceededtotellherwholestory,omittingnothingthatwasessentialtoanunderstanding。Inconclusionshesaid:``I’dliketocome。Yousee,I’veverylittlemoney。Whenit’sgone,I’llgo,unlessImakesomemore。’’

``Yes,youmustcome。ThatMrs。Brindleyseemstobeanicewoman,amightynicewoman。Butherhouse,andthepeoplethatcomethere——theyaren’ttherightsortforagirlthat’smakingastart。Icangiveyouaroomonthetopfloor——infront。Theyoungladynexttoyouisaclerkinanarchitect’soffice,andafinegirlsheis。’’

``Howmuchdoesshepay?’’saidMildred。

``Yourroomwon’tbequiteasniceashers。Iputyouatthetopbecauseyoucansingupthere,partofthemorningsandpartoftheafternoons,withoutdisturbinganybody。Idon’thaveageneraltableanymore。Youcantakeyourmealsinyourroomorattherestaurantintheapartment-housenextdoor。It’sgoodandquitereasonable。’’

``Howmuchfortheroom?’’persistedMildred,laughing。

``Sevendollarsaweek,andtheuseofthebath。’’

Mildredfinallywrungfromherthattherightpricewastwelvedollarsaweek,andinsistedonpayingthat——``untilmymoneygetslow。’’

``Don’tworryaboutthat,’’saidMrs。Belloc。

``Youmustn’tweakenme,’’criedMildred。``Youmustn’tencouragemetobeacowardandtoshirk。

That’swhyI’mcominghere。’’

``Iunderstand,’’saidMrs。Belloc。``I’vegottheNewEnglandstreakofhardnessinme,thoughI

believethatmasseusehasalmostironeditoutofmyface。

DoIlooklikeaNewEnglandschoolmarm?’’

Mildredcouldtruthfullyanswerthattherewasn’tatraceofit。

WhenshereturnedtoMrs。Brindley’s——alreadyshehadceasedtothinkofitashome——sheannouncedhernewplans。Mrs。Brindleysaidnothing,butMildredunderstoodthequicktighteningofthelinesroundhermouthandtheshiftingoftheeyes。ShehastenedtoexplainthatMrs。Bellocwasnolongerthesortofwomanorthesortoflandladyshehadbeenafewmonthsbefore。Mrs。BrindleyoftheolderNewYork,couldneitherunderstandnorbelieveinthepeopleofthenewandrealNewYorkwhomitmoldsforbetterorforworsesorapidly——andevenremoldsagainandagain。ButMildredwasabletosatisfyherthatthehousewasatleastnotsuspicious。

``Itdoesn’tmatterwhereyou’regoing,’’saidMrs。

Brindley。``It’sthatyouaregoing。Ican’tbeargivingyouup。Ihadhopedthatourliveswouldflowonandontogether。’’Shewaswithdifficultycontrollingheremotions。``It’stheseseparationsthatageone,thattakeone’slife。IalmostwishIhadn’tmetyou。’’

Mildredwasmoved,herself。NotsomuchasMrs。

Brindleybecauseshehadthenecessitiesofhercareergrippingherandclaimingthestrongestfeelingstherewereinher。Also,shewasmuchtheyounger,notmerelyinyearsbutinexperience。Andseparationshavenorealpoignancyinthemforyouth``Yes,Iknowyouloveme,’’saidCyrilla,``butlovedoesn’tmeantoyouwhatitmeanstome。I’minthatmiddleperiodoflifewhereeverythinghasitsfullestmeaning。Inyouthwe’reeasilyconsoledanddistractedbecauselifeseemssofullofpossibilities,andwecan’tbelievefriendshipandlovearerare,andstillmorerarelyworthwhile。Inoldage,whenthearterieshardenandthebloodflowsslowandcold,webecomeindifferent。

Butbetweenthirty-fiveandfifty-fivehowtheheartcanache!’’Shesmiled,withtremblinglips。``Andhowitcanrejoice!’’shecriedbravely。``Imustnotforgettomentionthat。Ah,mydear,youmustlearntoliveintensely。IfIhadhadyourchance!’’

``Ridiculous!’’laughedMildred。``Youtalklikeanoldwoman。AndIneverthinkofyouasolderthanmyself。’’

``IAManoldwoman,’’saidCyrilla。And,withatighteningattheheartMildredsaw,deepinthedepthsofhereyes,thelookofoldage。``I’vefoundthatI’mtoooldforlove——forman-and-womanlove——andthatmeansI’manoldwoman。’’

Mildredfeltthattherewasonlyathinbarrierofreservebetweenherandsomesadsecretofthisstrange,shy,lovingwoman’s——abarriersothinthatshecouldalmosthearthestifledmoanofabrokenheart。Butthebarrierremained。itwouldhavebeenimpossibleforCyrillaBrindleytotalkfranklyaboutherself。

WhenMildredcameoutofherroomthenextmorning,Cyrillahadgone,leavinganote:

Ican’tbeargood-bys。Besides,we’llseeeachotherverysoon。Forgivemeforshrinking,butreallyIcan’t。

BeforenightMildredwassettledinthenewplaceandthenewroom,withnosenseofstrangeness。Shewasreproachingherselfforhardness,fornotcaringaboutCyrilla,thebestandtruestfriendshehadeverhad。

Butthetruthlayinquiteadifferentdirection。Thehouse,thesurroundings,whereshehadlivedluxuriously,dreamingherfoolishandfatuousdreams,wasnottheplaceforsuchastruggleaswasnowuponher。

Andforthatstruggleshepreferred,tosensitive,sober,refined,impracticalCyrillaBrindley,thecompanionshipandthesympathy,thepracticalsympathy,ofAgnesBelloc。NooneneedbeashamedornervousbeforeAgnesBellocaboutbeingpoororunsuccessfulorhavingtoresorttoshabbymakeshiftsorhavingtoendurecoarsecontacts。Cyrillarepresentedrefinement,appreciationofthefinishedwork——luxuriousandsterileappreciationandenjoyment。Agnesrepresentedtheworkshop——whereallthedoersofallthatisdoneliveandwork。Mildredwasdescendingfromtheheightswherelivethosewhohavegraduatedfromthelotofthehumanraceandhavelostallthatsuperficialorcasualresemblancetothatrace。Shewasgoingdowntolivewiththerace,toshareinitslot。ShewasgladAgnesBellocwastobethere。

Generalizingaboutsuchahaphazardconglomerateashumannatureishighlyunsatisfactory,butitmaybecautiouslyventuredthatinNewEngland,asinoldEngland,thereisacuriouslycontradictorywayofdealingwithconventionality。Nowhereisconventionalitymoreinreverence。yetwhenaNew-Englander,manorwoman,happenstoelecttobreakwithit,nowhereisthebreaksoutterandsodefiant。IfAgnesBelloc,cutloosefromtheconventionsthathadboundherfromchildhoodtowellintomiddlelife,hadremainedathome,nodoubtshewouldhavespentalargepartofhernightsinthinkingoutwaysofemployingherdaysinoutragingtheconventionalitiesbeforeherhorrifiedandinfuriatedneighbors。ButofwhatuseinNewYorktocuffandspitupondeitiesreveredbyonlyaninsignificantclass——andonlyofficiallyreveredbythatclass?

AgneshadsoonseenthattherewasnoamusementorinterestwhateverinanenterprisewhichinherNewEnglandhomewouldhavefilledherlifetothebrimwithexcitement。Also,shesawthatshewaswellintothattimeoflifewheretheabsenceofreputationinawomanendangershercomfort,makesherliabletobeleftalone——notdespisedanddenounced,butsimplyavoidedandignored。SoshewastellingMildredtheexacttruth。

Shehadlaiddownthearmsshehadtakenupagainstthesocialsystem,andhadcomein——andwasfightingitfromthesaferandwiserinside。Shestillinsistedthatawomanhadthesamerightsasaman。butshetookcaretomakeitclearthatsheclaimedthoserightsonlyforothers,thatsheneitherexercisedthemnorcaredforthemforherself。Andtomakeherpropagandathemoreeffective,shewasnotonlycircumspectherself,butwasexceedinglycarefultobesurroundedbycircumspectpeople。Noonecouldcitehercaseasproofthatwomanwouldexpandlibertyintolicense。Intheorytherewasnothinglivelythatshedidnotlookuponatleastwithtolerance。inpractice,moreandmoreshedislikedseeingoneofhersexdoanythingthatmightcausetheworldtosay``womanwouldabuselibertyifshehadit。’’``Sensiblepeople,’’shenowsaid,``doastheylike。Buttheydon’tgivefoolsachancetotitterandchatter。’’

AgnesBellocwastypical——certainlyofalargeandgrowingclassinthisday——ofthedecayofancienttemplesandthedeclineoftheold-fashionedidealismthatmademenfancytheylivednoblybecausetheyprofessedandbelievednobly。Shehadnoethicalstandards。Shesimplymeteachsituationasitaroseanddealtwithitascommonsenseseemedinthatparticularinstancetodictate。Forathousandyearsgeniushasbeenstrivingwiththehumanracetoinduceittoabandonitssuperstitionsandhypocrisiesandtodefycommonsense,soadaptable,sotolerant,soconducivetolongandhealthyandhappylife。Grosslymaterialistic,butalluringlycomfortable。Whetherforgoodorforevilorforbothgoodandevil,thegeniusesseeminafairwayatlasttoprevailovertheidealists,religiousandpolitical。

AndMrs。Belloc,withoutintheleastrealizingit,wasamostsignificantsignofthetimes。

``Yourthroatseemstobebetterto-day,’’saidshetoMildredatbreakfast。``Thosesimplehouse-remediesItriedonyoulastnightseemtohavedonesomegood。

Nothinglikeheat——hotwater——andnoeating。Themainthingwasdoingwithoutdinnerlastnight。’’

``Mynervesarequieter,’’advancedMildredasthelikelierexplanationofthereturnofthesoulofmusictoitsseat。``Andmymind’satrest。’’

``Yes,that’sgood,’’saidplainAgnesBelloc。``Butgettingthestomachstraightandkeepingitstraight’sthemainthing。Myoldgrandmothercouldeatanythinganddoanything。I’veseenherputinaglassofmilkorasaucerofice-creamontopofatomato-salad。

Thewayshekeptwellwas,whenevershebegantofeeltheleastbitoff,shestoppedeating。Notabitewouldshetouchtillshefeltwellagain。’’

Mildred,movedbyanimpulsestrongerthanherinclination,producedtheKeithpaper。``Iwishyou’dreadthis,andtellmewhatyouthinkofit。You’vegotsomuchcommonsense。’’

Agnesreaditthroughtotheend,beganatthebeginningandreaditthroughagain。``Thatsoundsgoodtome,’’saidshe。``Iwanttothinkitover。Ifyoudon’tmindI’dliketoshowittoMissBlond。Sheknowsalotaboutthosethings。Isupposeyou’regoingtoseeMr。Crossleyto-day?——that’sthemusicalmanager’sname,isn’tit?’’

``I’mgoingateleven。Thatisn’ttooearly,isit?’’

``IfIwereyou,I’dgoassoonasIwasdressedforthestreet。Andifyoudon’tgettoseehim,waittillyoudo。Don’ttalktounder-staffers。Alwaysgostraightfortheheadman。You’vegotsomethingthat’sworthhiswhile。Howdidhegettobeheadman?

Becauseheknowsagoodthingtheminuteheseesit。Theunderfellowsareusuallyunderbecausetheyaresotakenupwiththemselvesandwithimpressingpeoplehowgrandtheyarethattheydon’tseeanythingelse。

So,whenyoutalktothem,youwearyourselfoutandwasteyourtime。’’

``There’sonlyonethingthatmakesmenervous,’’

saidMildred。``EveryoneI’veevertalkedwithaboutgoingonthestage——everyonewhohastalkedcandidly——hassaid——’’

``Yes,Iknow,’’saidMrs。Belloc,asMildredpausedtosearchforsmooth-soundingwordsinwhichtodress,withoutdisguising,adistinctlyuglyidea。``I’veheardthat,too。Idon’tknowwhetherthere’sanythinginitornot。’’ShelookedadmiringlyatMildred,whothatmorningwascertainlylovelyenoughtotemptanyman。

``Ifthereisanythinginit,why,IreckonYOU’Dbeupagainstit。That’stheworstofhavingmenatthetopinanytradeandprofession。Awoman’sgottogetherchancethroughsomeman,andifhedon’tchoosetoletherhaveit,she’slikelytofail。’’

Mildredshowedhowthisdepressedher。

``Butdon’tyoufretaboutthattillyouhaveto,’’

advisedMrs。Belloc。``I’veanotionthat,evenifit’strue,itmaynotapplytoyou。Whereawomanoffersforaplacethatshecanfillaboutaswellasahundredotherwomen,she’sattheman’smercy。butifsheknowsthatshe’sfarandawaythebestfortheplace,Idon’tthinkaman’sgoingtostandinhisownlight。LethimseethathecanmakemoneythroughYOU,moneyhewon’tmakeifhedon’tgetyou。Then,Idon’tthinkyou’llhaveanytrouble。’’

ButMildred’sdepressiondidnotdecrease。``Ifmyvoicecouldonlybereliedon!’’sheexclaimed。``Isn’titexasperatingthatI’vegotadelicatethroat!’’

``It’salwayssomething,’’saidMrs。Belloc。``Onething’saboutasbadasanother,andanythingcanbeovercome。’’

``No,notinmycase,’’saidMildred。``Thepeculiarqualityofmyvoice——whatmakesitunusual——isduetothedelicatenessofmythroat。’’

``Maybeso,’’saidMrs。Belloc。

``Ofcourse,Icanalwayssing——afterafashion,’’

continuedMildred。``Buttobereallyvaluableonthestageyou’vegottobeablealwaystosingatyourbest。

SoI’mafraidI’mintheclassofthosewho’llsuit,oneaboutaswellasanother。’’

``You’vegottogetoutofthatclass,’’saidMrs。

Belloc。``Themeninthatclass,andthewomen,havetodoanydirtyworkthebossseesfittogive’em——andnotmuchpay,either。Letmetellyouonething,MissStevens。Ifyoucan’tgetamongthefewatthetopinthesinginggame,youmustlookroundforsomegamewhereyoucanhopetobeamongthefew。NomatterWHATitis。Byusingyourbrainsandworkinghard,there’ssomethingyoucandobetterthanprettynearlyanybodyelsecanorwilldoit。Youfindthat。’’

Thewordssankin,sankdeep。Mildred,senseofhersurroundingslost,wasgazingstraightaheadwithanexpressionthatgaveMrs。Bellochopeandevenacertainamountofconfidence。Therewasadistinctadvance。for,aftershereflecteduponallthatMildredhadtoldher,littleofherformeropinionofMildred’schancesforsuccesshadremainedbutahopedetainednotwithoutdifficulty。Mrs。Bellocknewthehumanraceunusuallywellforawoman——unusuallywellforahumanbeingofwhateversexorexperience。Shehaddiscoveredhowrareisthetemperament,thecombinationofintelligenceandtenacity,thatmakesforsuccess。

Shehadlearnedthatmostpeople,judgedbyanystand-

ard,werealmosttotalfailures,thatmostofthemoreorlesssuccessfulweresomerelybecausetheworldhadanenormousamountofimportantworktobedone,eventhoughhalf-way,andhadnoonebutthosehalf-

competentstodoit。Asincompetenceinamanwouldbetoleratedwhereitwouldnotbeinawoman,obviouslyawoman,togeton,musthavetherealtemperamentofsuccess。

ShenowknewenoughaboutMildredtobeableto``place’’herinthe``lady’’class——thosebroughtupnotonlyknowinghowtodonothingwithamoneyvalue(exceptlawfulorunlawfulman-trapping),butalsotrainedtoasensitivenessandrefinementandfalseshameaboutworkthatmadeitexceedinglydifficultifnotimpossibleforthemtolearnusefulness。SheknewallMildred’shandicaps,boththosethegirlwasconsciousofandthosefarheavieroneswhichshefatuouslyregardedasadvantages。HowwasMildredevertolearntodismissanddisregardherselfastheprettywomanofgoodsocialposition,anobjectofadmirationandconsideration?Mildred,inthebottomofherheart,wasregardingherselfasalreadysuccessful——successfulatthehighestawomancanachieveoroughttoaspiretoachieve——wasregardinghercareer,howevershemighttalkormightfancyshebelieved,asamerelivelihood,asideissue。Shewouldbeperhapsmorethanalittleashamedofherstageconnections,shouldshemakeany,untilsheshouldbeattheverytop——

andhowgettothetopwhenoneisworkingunderthehandicapofshame?Aboveall,howwasthisindulgentlyandshelteredlyrearedladytobecomeawork-

ingwoman,livingaroutinelife,toilingawaydayinanddayout,withnoletup,permittingnooneandnothingtobreakherroutine?``Really,’’thoughtAgnesBelloc,``sheoughttohavemarriedthatBairdman——orstayedonwiththenastygeneral。Iwonderwhyshedidn’t!That’stheonlythingthatgivesmehope。Theremustbesomethinginher——somethingthatdon’tappear——somethingshedoesn’tknowabout,herself。Whatisit?Maybeitwasonlyvanityandvacillation。Again,Idon’tknow。’’

ThedifficultyMrs。BelloclaboredunderinherattempttoexploreandmapMildredGowerwasadifficultywealllaborunderinthosesameenterprises。Wecannotconvinceourselves——inspiteofexperienceafterexperience——thatahumancharacterisneverconsistentandhomogeneous,isalwaysconglomerate,thattherearenotwotraits,howevernaturallyexclusive,whichcannotcoexistinthesamepersonality,thatcircumstanceisthedominatingfactorinhumanactionandbringsforwardasdominantcharacteristicsnowonetraitorsetoftraits,consistentorinconsistent,andnowanother。TheAlexanderwhowasAristotle’smodelpupilwasthesameAlexanderasthedrunkendebaucher。

Indeed,mayitnotbethatthecharacterswhichplaythelargepartsinthecomedyoflifearenaturallythosethatoffertotheshiftingwindsofcircumstancesthegreatestvarietyofstronglydevelopedandcontradictoryqualities?Forexample,ifitwasMildred’slatentcouragerescuedherfromSiddall,wasitnotherstrongtendencytovacillationthatsavedherfromalovelessandmercenarymarriagetoStanleyBaird?Perhapsthedeepunderlyingtruthisthatallunusualpeoplehaveincommonthecharacterthatcentersapowerfulaversiontostagnation。thus,nowbytheirstrongqualities,nowbytheirweaknesses,theyaresweptinevitablyonandonandeveron。Goodto-day,badto-morrow,goodagainthedayafter,weakinthisinstance,stronginthat,nowbraveandnowcowardly,softatonetime,hardatanother,generousandthereversebyturns,theyareconsistentonlyinthattheyareneveratrest,butincessantlyandinevitablygo。

Mildredreluctantlyrose,movedtowardthedoorwithlingeringstep。``IguessI’dbettermakeastart,’’

saidshe。

``That’sthetalk,’’saidMrs。Bellocheartily。Buttheaffectionateglanceshesentafterthegirlwasdubious——

evenpitying。

IX

TWOminutes’walkthroughtoBroadway,andshewasatherdestination。There,ontheothersideoftheway,stoodtheGayetyTheater,withtheofficesofMr。

ClarenceCrossleyoverlookingtheintersectionofthetwostreets。Crossleywasintrenchedintheremotestofaseriesofrooms,eachtenantedbyunder-staffersofdiminishingimportanceasyoudrewwayfromthegreatman。Itwasnexttoimpossibletogetathim——

acauseofmuchsneeringanddissatisfactionintheatricalcircles。Crossley,theysaid,wasexclusive,hadtheswollenhead,hadforgottenthatonlyafewyearsbeforehehadbeenacheaplittleticket-sellergratefulforabowfromanyactorwhohadeverhadhisnameup。Crossleyinsistedthathewasnotavictimoffoliedegrandeur,that,onthecontrary,hehadbecomelessvainashehadrisen,wherehecouldseehowtrivialathingrisingwasandhowaccidental。Saidhe:

``WhydoIshutmyselfin?BecauseI’mwhatIam——agoodthing,easyfruit。YousaythatmenahundredtimesbiggerthanI’lleverbedon’tshutthemselvesup。YousaythatMountain,thebiggestfinancierinthecountry,sitsrightoutwhereanybodycangouptohim。Yes,butwho’ddaregouptohim?It’sgenerallyknownthathe’sacannibal,thathekillshisownfoodandeatsitwarmandraw。Sohecanaffordtositintheopen。IfIdidthat,allmytimeandallmymoneywouldgotothecheap-skateswithhard-lucktales。Idon’thidebecauseI’mhaughty,butbecauseI’mweakandsoft。’’

InappearanceMr。Crossleydidnotsuggesthisname。

Hewasatallish,powerful-lookingpersonwithasmooth,handsome,audaciousface,withfine,laughing,butsomehowuntrustworthyeyes——atleastuntrustworthyforwomen,thoughwomenhadneverprofitedbythewarning。Hedressedinexcellenttaste,almostconspicuously,andthegayandexpensivedetailsofhistoiletsuggestedamangivenovertoliveliness。Asamatteroffact,thislivelinesswaspotentialratherthanactual。Mr。Crossleywasalwaysintendingtoresumethegiddywaysoftheyearsbeforehebecameagreatman,butwasalwayssofarbehindintheimportantthingstobedoneanddoneatoncethathewasforcedtoputoff。However,hisnecktiesandhisshirtsandhisflirtations,untrustworthyeyeskepthimareputationforbeingoneoftheworstcasesinBroadway。Invaindidhisachievementsshowthathecouldnotpossiblyhavetimeorstrengthforanythingbutwork。Helookedlikearounder。hewasinabusinessthatgaveendlessdazzlingopportunitiesforthelivelylife。arounderhewas,therefore。

Hewasaboutforty。Atfirstglance,sovividandenergeticwashe,helookedlikethirty-five,butatsecondglanceonesawthelines,theunderlyingmelancholysignsofstrain,theheavypricehehadpaidforphenomenalsuccesswonbyaseriesofthesortofrisksthatmakethehairfallasautumnleavesonawindydayandmakesuchhairsasstickturnrapidlygray。Thus,thereweremanywhothoughtCrossleywasthroughvanityshyofthetruthbyfiveorsixyearswhenhesaidforty。

InordinarycircumstancesMildredwouldneverhavegotatCrossley。Thiswasthefirstbusinesscallofherlifewhereshehadcomeasanunknownandunsupportedsuitor。HerreceptionwouldhavebeensuchatthehandsofCrossley’sinsolentandill-manneredunderlingsthatshewouldhavefledinshameandconfusion。

Itisevenwellwithinthepossibilitiesthatshewouldhavegivenupallideaofacareer,wouldhavesentforBaird,andsoon。Andnotoneofthosewho,timidandinexperienced,havesufferedruderebuffattheirfirstadvance,wouldhavecondemnedher。Butitsochanced——whetherbygoodfortuneorbyilltheeventwastotell——thatshedidnothavetofaceasingleunderling。

Thehalldoorwasopen。Sheentered。Ithappenedthatwhileshewascomingupintheelevatoraquarrelbetweenamotormanandadriverhadheatedintoafight,intoasmallriot。Alltheunderlingshadrushedoutonabalconythatcommandedasuperbviewofthebattle。Theconnectingdoorswereopen。

Mildredadvancedfromroomtoroom,seekingsomeonewhowouldtakehercardtoMr。Crossley。Whensheatlastfacedacloseddoorsheknocked。

``Come!’’criedapleasantvoice。

Andinshewent,tofaceCrossleyhimself——Crossley,the``weakandsoft,’’caughtbehindhislastentrenchmentwithnochancetoescape。HadMildredlookedtheusualsortwhocomelookingforjobsinmusicalcomedy,Mr。Crossleywouldnothaverisen——notbe-

causehewassnobbish,butbecause,beingasensitive,high-strungperson,heinstinctivelyadoptedthemannerthatwouldputthepersonbeforehimatease。HeglancedatMildred,rose,andthrustbackforthwiththeslangy,offhandpersonalitythatwasperhapsthemostnatural——orwasitmerelythemostused?——ofhismanypersonalities。ItwasCrossleythemanoftheworld,themanoftheartisticworld,whodelightedMildredwithacourteousbowandofferofachair,ashesaid:

``Youwishedtoseeme?’’

``IfyouareMr。Crossley,’’saidMildred。

``IshouldbetemptedtosayIwas,ifIwasn’t,’’

saidhe,andhismannermadeitamerepleasantrytoputheratease。

``Therewasnooneintheoutsideroom,soIwalkedonandonuntilyourdoorstoppedme。’’

``You’llneverknowhowluckyyouwere,’’saidhe。

``Theytellmethosefellowsouttherehaveshockingmanners。’’

``Haveyoutimetoseemenow?I’vecometoapplyforapositioninmusicalcomedy。’’

``Youhavenotbeenonthestage,Miss——’’

``Gower。MildredGower。I’vedecidedtousemyownname。’’

``Iknowyouhavenotbeenonthestage。’’

``Exceptasanamateur——andnoteventhatforseveralyears。ButI’vebeenworkingatmyvoice。’’

Crossleywasstudyingher,asshestoodtalking——

shehadrefusedthechair。Hewasmorethanfavorablyimpressed。ButthedecidingelementwasnotMildred’sexcellentfigureorhercharmofmannerorhersweetandlovelyface。Itwassuperstition。JustatthattimeCrossleyhadbeenabruptlydesertedbyEstelleHoward。insteadofgoingonwiththerehearsalsof``TheFullMoon,’’inwhichshewastobestarred,shehadrushedawaytoEuropewithaviolinistwithwhomshehadfalleninloveatthefirstrehearsal。

Crossleywaslookingaboutforsomeonetotakeherplace。Hehadbeenentrenchedinthoseofficesfornearlyfiveyears。inallthattimenotasinglesoulofthedesperatecrowdsthatdoggedhimhadbrokenthroughhisguard。Crossleywasassuperstitiousaswaseveryoneelsewhohastodowiththestage。

``Whatkindofavoice?’’askedhe。

``Lyricsoprano。’’

``Youhavemusicthere。What?’’

```BattiBatti’andalittlesonginEnglish——`TheRoseandtheBee。’’’

Crossleyforgothismanners,turnedhisbacksquarelyuponher,thrusthishandsdeepintohistrouserspockets,andstaredoutthroughthewindow。Hepresentlywheeledround。Shewouldnothavethoughthiseyescouldbesokeen。Saidhe:``Youwerestudyingforgrandopera?’’

``Yes。’’

``Whydoyoudropitandtakeupthis?’’

``Nomoney,’’repliedshe。``I’vegottomakemylivingatonce。’’

``Well,let’ssee。Comewithme,please。’’

Theywentoutbyadoorintothehall,wentbacktotherearofthebuilding,inatanirondoor,downaflightofsteepironskeletonstepsdimlylighted。

Mildredhadoftenbeenbehindthescenesinheramateurtheatricaldays。butevenifshehadnot,shewouldhaveknownwhereshewas。Crossleycalled,``Moldini!

Moldini!’’

Thenamewascaughtupbyothervoicesandrepeatedagainandagain,moreandmoreremotely。A

moment,andasmalldarkmanwithasuperabundanceofgreasydarkhairappeared。``MissGower,’’saidCrossley,``thisisSignorMoldini。Hewillplayyouraccompaniments。’’ThentothelittleItalian,``Pianoonthestage?’’

``Yes,sir。’’

ToMildredwithasmile,``Willyoutry?’’

Shebentherhead。Shehadnovoice——notforsong,notforspeech,notevenforamonosyllable。

CrossleytookMoldiniasidewhereMildredcouldnothear。``Mollie,’’saidhe,``thisgirlcreptuponme,andI’vegottogiveheratrial。Asyousee,she’salady,andyouknowwhattheyare。’’

``Punk,’’saidMoldini。

Crossleynodded。``Sheseemsanicesort,soIwanttoletherdowneasy。I’llsitbackinthehouse,inthedark。Runherthroughthat`BattiBatti’thingshe’sgotwithher。Ifshe’splainlyonthefritz,I’lllightacigarette。IfIdon’tlightup,trytheothersongshehas。IfIstilldon’tlightupmakehergothroughthat`Ah,wereyouhere,love,’fromthepiece。ButifIlightup,itmeansthatI’mgoingtolightout,andthatyou’retogetridofher——tellherwe’llletherknowifshe’llleaveheraddress。Youunderstand?’’

``Perfectly。’’

Farfrombeingthrilledandinspired,hersurroundingsmadehersickatheart——thechill,thedampness,thebarewalls,thedim,drearylights,thecoarsely-

paintedflats——Atlastshewasonthethresholdofherchosenprofession。Whataprofessionforsuchapersonasshehadalwaysbeen!ShestoodbesideMoldini,seatedatthepiano。Shegazedatthedarkness,somewhereinwhosedepthsCrossleywashidden。Afterseveralfalsestartsshesangthe``BattiBatti’’through,sangitatrociously——notlikeapoorprofessional,butlikeapretentiousamateur,areversiontoamannerofsingingshehadoncehad,buthadlongsincegotridof。

Shepausedattheend,appalledbythesilence,bytheawfulnessofherownperformance。

Fromthedarknessaslightclick。Ifshehadknown!——

for,itwasCrossley’smatch-safe。

Thesound,slightyetsoclear,startledher,rousedher。Shecalledout:``Mr。Crossley,won’tyoupleasebepatientenoughtoletmetrythatagain?’’

Abriefhesitation,then:``Certainly。’’

Oncemoreshebegan。Butthistimetherewasnohesitation。FromfirsttolastshediditasJenningshadcoachedher,diditwithallthebeautyandenergyofherreallylovelyvoice。Assheended,Moldinisaidinaquietbutintenseundertone:``Bravo!Bravo!

Freshasabirdonabrightspringmorning。’’Andfromthedarknesscame:``Ah——that’sbetter,MissGower。Thatwasprofessionalwork。Nowfortheother。’’

Thusencouragedandwithhervoicewellwarmed,shecouldnotbutmakeasuccessofthesongthatwasnearertowhatwouldbeexpectedofherinmusicalcomedy。

Crossleycalledout:``Now,thesightsinging,Moldini。

Idon’texpectyoutodothiswell,MissGower。Isimplywishtogetanideaofhowyou’ddoapiecewehaveinrehearsal。’’

``You’llhavenotroublewiththis,’’saidMoldini,asheopenedthecomedysongupontherackwithacontemptuouswhirl。``It’stheeasyshowystuffthatsuitsthetiredbusinessmanandhislaced-inwife。Goatitandyell。’’

Mildredglancedthroughit。Therewasasubtlesomethingintheatmospherenowthatputheratherease。Shereadthewordsaloud,laughingattheirsillysentimentality,sheandMoldiniandCrossleymakingjokesaboutit。Soonshesaid:``I’mready。’’

Shesangitwell。Sheaskedthemtolethertryitagain。Andthesecondtime,withthewordsinhermindandthesimplemelody,shewasabletoputexpressionintoitandtoindicate,withrestraint,theaction。Crossleycamedowntheaisle。

``Whatdoyouthink,Mollie?’’hesaidtoMoldini。

``Wemighttestheratafewrehearsals。’’

Crossleymeeklyacceptedthesalutarycheckonhisenthusiasm。``Doyouwishtotry,MissGower?’’

Mildredwassilent。Sheknewnowthesortofpieceinwhichshewastoappear。Shehadseenafewofthem,thosecheapandvulgarfarceswiththeirthinmusic,theirmorethandubious-lookingpeople。Whatacome-down!Whatadegradation!ItwasasbadinitswayasbeingthewifeofGeneralSiddall。Andshewastodothis,inpreferencetomarryingStanleyBaird。

``Youwillbepaid,ofcourse,duringrehearsal。thatis,aslongaswearetakingyourtime。Fiftydollarsaweekisaboutasmuchaswecanafford。’’Crossleywaswatchinghershrewdly,wasadvancingtheseremarksinresponsetothehesitationhesawsoplainly。

``Ofcourseitisn’tgrandopera,’’hewenton。``Infact,it’sprettylow——almostaslowasthepublictaste。

Yousee,wearen’tsubsidizedbymillionaireswhowantpeopletothinkthey’reartistic,sowehavetohustletoseparatethepublicfromitsmoney。Butifyoumakeahit,youcanearnenoughtoputyouintograndoperainfinestyle。’’

``Ineverheardofanyone’sgraduatingfromhereintograndopera,’’saidMildred。

``Becauseourstarsmakesomuchmoneyandmakeitsoeasily。It’llbeyourownfaultifyoudon’t。’’

``Can’tIcometojustonerehearsal——toseewhetherIcan——candoit?’’pleadedMildred。

Crossley,madethemoreeagerandthemoresuperstitiousbythisunprecedentedreluctance,shookhishead。

``No。Youmustagreetostayaslongaswewantyou,’’saidhe。``Wecan’tallowourselvestobetrifledwith。’’

``Verywell,’’saidMildredresignedly。``Iwillrehearseaslongasyouwantme。’’

``Andwillstayfortherunofthepiece,ifwewantthat?’’saidCrossley。``Youtogetahundredaweekifyouareputinthecast。More,ofcourse,ifyoumakeahit。’’

``YoumeanI’mtosignacontract?’’criedMildredindismay。

``Exactly,’’saidCrossley。Atrulyamazingperformance。Moldiniwasnotastonished,however,forhehadheardthesongs,andheknewCrossley’sdifficultiesthroughEstelleHoward’sflight。Also,heknewCrossley——

neverso``weakandsoft’’thathetrifledwithunlikelycandidatesforhisproductions。Crossleyhadgotupbecauseheknewwhattodoandwhentodoit。

Mildredacquiesced。Beforeshewasfreetogointothestreetagain,shehadsignedapaperthatboundhertorehearseforthreeweeksatfiftydollarsaweekandtostayonatahundreddollarsaweekforfortyweeksortherunof``TheFullMoon,’’ifCrossleysodesired。

ifhedidnot,shewasfreeattheendoftherehearsals。

Ashrewdlyone-sidedcontract。ButCrossleytoldhimselfhewouldcorrectit,ifsheshouldbysomeremotechancebegoodenoughforthepartandshouldmakeahitinit。Thiswasnomeresalvetoconscience,bytheway。Crossleywouldnotbefoolishenoughtogiveasuccessfulstarjustcausefordislikinganddistrustinghimandattheearliestopportunityleavinghimtomakemoneyforsomerivalmanager。

Mrs。Bellochadnotgoneout,hadbeenwaitinginafeverofanxiety。WhenMildredcameintohersitting-

roomwithagloomyfaceanddroppedtoachairasifherlasthopehadabandonedher,itwasallAgnesBelloccoulddotorestrainhertears。Saidshe:

``Don’tbefoolish,mydear。Youcouldn’texpectanythingtocomeofyourfirstattempt。’’

``Thatisn’tit,’’saidMildred。``IthinkI’llgiveitup——dosomethingelse。Grandopera’sbadenough。

TherewerealotofthingsaboutitthatIwasfightingmydistastefor。’’

``Iknow,’’saidAgnes。``Andyou’dbetterfightthemhard。They’reunworthyofyou。’’

``But——musicalcomedy!It’s——frightful!’’

``It’sanhonestwayofmakingaliving,andthat’smorethancanbesaidof——ofsomethings。Isupposeyou’reafraidyou’llhavetoweartights——orsomenonsenselikethat。’’

``No,no。It’sdoingitatall。Suchrottenmusic——andwhataloathsomemess!’’

Mrs。Belloc’seyesflashed。``I’mlosingallpatience!’’shecried。``Iknowyou’vebeenbroughtuplikeafoolandalwayssurroundedbyfools。Isupposeyou’drathersellyourselftosomeman。Doyouknowwhat’sthematterwithyou,atbottom?Why,you’relazyandyou’reacoward。Toolazytowork。Andafraidofwhatalotofcheapwomen’llsay——womenearningtheirboardandclothesinaboutthelowestwaysuchathingcanbedone。Haven’tyougotanyself-

respect?’’

Mildredrose。``Mrs。Belloc,’’shesaidangrily,``I

can’tpermitevenyoutosaysuchthingstome。’’

``Theshoeseemstofit,’’retortedMrs。Belloc。``I

neveryetsawalady,areal,silk-and-diamonds,sit-in-

the-parlorlady,whohadanyself-respect。IfIhadmywaytheywouldn’tgetamouthfultoeattilltheyhadearnedit。That’dbeasurecurefortheladydisease。I’mashamedofyou,MissStevens!Andyou’reashamedofyourself。’’

``Yes,Iam,’’saidMildred,withasuddenchangeofmood。

``Thebestthingyoucandoistoresttilllunch-time。

Thenstartoutafterlunchandhuntajob。I’llgowithyou。’’

``ButI’vegotajob,’’saidMildred。``That’swhat’sthematter。’’

AgnesBelloc’sjawdroppedandherratherheavyeyebrowsshotuptowardthelowsweepinglineofherauburnhair。ShemadesuchaludicrousfacethatMildredlaughedoutright。Saidshe:

``It’squitetime。Fiftyaweek,forthreeweeksofrehearsal。Nodoubt_I_cangoonifIlike。Nothingcouldbeeasier。’’

``Crossley?’’

``Yes。Hewasverynice——heardmesingthreepieces——anditwasallsettled。I’mtobeginto-morrow。’’

ThecolorroseinAgnesBelloc’sfaceuntilshelookedapoplectic。Sheabruptlyretreatedtoherbedroom。

Afterafewminutesshecameback,hernormalcomplexionrestored。``Icouldn’ttrustmyselftospeak,’’

saidshe。``ThatwastheworstcaseofingratitudeIevermetupwith。You,gettingaplaceatfiftydollarsaweek——andonyourfirsttrial——andyoucomeinlookingasifyou’dlostyourmoneyandyourreputation。Whatkindofagirlareyou,anyway?’’

``Idon’tknow,’’saidMildred。``IwishIdid。’’

``Well,I’msorryyougotitsoeasy。Nowyou’llhaveafalsenotionfromthestart。It’salwaysbettertohaveahardtimegettingthings。Thenyouappreciatethem,andhavelearnedhowtoholdon。’’

``Notroubleaboutholdingontothis,’’saidMildredcarelessly。

``Pleasedon’ttalkthatway,child,’’pleadedAgnes,almosttearful。``It’sfrightfultome,who’vehadexperience,tohearyouinviteafall-down。’’

Mildreddisdainfullyflutteredthetypewrittencopyofthemusicalcomedy。``Thisischild’splay,’’saidshe。

``Thelinesarebeneathcontempt。Asforthesongs,youneverheardsuchslop。’’

``Thestarsinthosepiecesgetfourandfivehundred,andmore,aweek,’’saidMrs。Belloc。``Believeme,thosemanagersdon’tpayoutanysuchsumsforchild’splay。Youlookout。You’regoingatthiswrong。’’

``Ishan’tcareifIdofail,’’saidMildred。

``Doyoumeanthat?’’demandedMrs。Belloc。

``No,Idon’t,’’saidMildred。``Oh,Idon’tknowwhatImean。’’

``Iguessyou’rejusttalking,’’saidMrs。Bellocafterareflectivesilence。``Iguessagirlwhogoesandgetsagoodjob,firstcrackoutofthebox,musthaveastreakofshrewdness。’’

``Ihopeso,’’saidMildreddoubtfully。

``Iguessyou’llworkhard,allright。Afteryouwentoutthismorning,ItookthatpaperdowntoMissBlond。She’scrazyaboutit。Shewantstomakeacopyofit。ItoldherI’daskyou。’’

``Certainly,’’saidMildred。

``Shesaysshe’llreturnitthesameday。’’

``Tellhershecankeepitaslongasshelikes。’’

Mrs。Belloceyedhergravely,startedtospeak,checkedherself。Instead,shesaid,``No,Ishan’tdothat。I’llhaveitbackinyourroombythisevening。

Youmightchangeyourmind,andwanttouseit。’’

``Verywell,’’saidMildred,pointedlyuninterestedandignoringMrs。Belloc’sdelicatebutdistinctemphasisupon``might。’’

Mrs。Bellockeptasuspiciouseyeuponher——aneyethatwasnoteasilydeceived。ThemoreshethoughtaboutMildred’sstateofdepressionanddisdainthemoretolerantshebecame。Thatmoodwasthenaturalandnecessaryresultofthegirl’sbringingupandmodeoflife。Theimportantthing——andthewonderfulthing——washerbeingabletoovercomeit。Afteraweekofrehearsalshesaid:``I’mmakingthebestofit。ButIdon’tlikeit,andnevershall。’’

``Ishouldhopenot,’’repliedMrs。Belloc。``You’regoingtothetop。I’dhatetoseeyoucontentedatthebottom。Aren’tyoulearningagooddealthat’llbeusefullateron?’’

``That’swhyI’mreconciledtoit,’’saidshe。``Thestagedirector,Mr。Ransdell,isteachingmeeverything——evenhowtosing。Heknowshisbusiness。’’

Ransdellnotonlyknew,butalsotookendlesspainswithher。Hewasatall,thin,darkman,strikinglyhandsomeinthedistinguishedway。Sodistinguishedlookingwashethattomeethimwastowonderwhyhehadnotmadeagreatnameforhimself。Anextraordinarymindhecertainlyhad,andaninsightintothereasonsforthingsthatisgivenonlytogenius。Hehadfailedasacomposer,failedasaplaywright,failedasasinger,failedasanactor。Hehadbeenforcedtotakeuptheprofessionofputtingondramaticandmusicalplays,aprofessionthatrequiredvastknowledgeandhightalentsandpaidfortheminniggardlyfashionbothinmoneyandinfame。Crossleyowedtohimmorethantoanyothersingleelementtheseriesofsuccessesthathadmadehimrich。yetthetenthousandayearCrossleypaidhimwasregardedasevidenceofCrossley’slavishgenerosityandwasso。Itwouldhavebeendifficulttosaywhyamansosplendidlyendowedbynatureandsotirelessinimprovinghimselfwasthusunsuccessful。Probablyhelackedjudgment。

indeed,thatlackmusthavebeenthecause。HecouldjudgeforCrossley。butnotforhimself,notwhenhehadthefeelingofultimateresponsibility。

Mildredhadanticipatedthemostrepulsiveassociations——

menandwomenofloworiginandofvulgartastesandofvulgarlylooselives。Shefoundherselfsurroundedbysimple,pleasantpeople,undoubtedlyerraticforthemostpartinalltheirhabits,butwithoutviciousness。Andtheywerehardworkers,all。Ransdell——forCrossley——toleratednononsense。Hispeoplecouldliveastheypleased,awayfromthetheater,buttheretheymustbepromptandfit。Thedisciplinewasassevereasthatofamonastery。Shesawmanysignsthatallsortsofthingsofthesortwithwhichshewishedtohavenocontactweregoingonabouther。butassheheldslightly——butnotatallhaughtily——aloof,shewouldhavehadtogooutofherwaytoseeenoughtoscandalizeher。Shesoonsuspectedthatshewasbeingtreatedwithextraordinaryconsideration。ThiswasbyCrossley’sorders。ButthecarryingoutoftheirspiritaswellastheirletterwasduetoRansdell。Beforetheendofthatfirstweeksheknewthattherewasthepersonalelementbehindhisadmirationforhervoiceandhertalentforacting,behindhisconcentratingmostofhisattentionuponherpart。Helookedhisloveboldlywhenevertheywerealone。hewasalwaystryingtotouchher——neverinawaythatshecouldhaveresented,orfeltlikeresenting。Hewasnotunattractivetoher,andshewaseagertolearnallhehadtoteach,andsawnoharminhelpingherselfbylettinghimlove。

Towardthemiddleofthesecondweek,whentheywerealoneinherdressing-room,he——withtheingeniouslackofabruptnessoftheexperiencedmanatthegame——tookherhand,andbeforeshewasready,kissedher。

Hedidnotaccompanytheseadvanceswithanoutburstofpassionatewordsorwithanyfierylightingupoftheeyes,butcalmly,smilingly,asifitwerewhatshewasexpectinghimtodo,whathehadarighttodo。

Shedidnotknowquitehowtomeetthisnovelattack。

Shedrewherhandaway,wentontalkingaboutthepart——thechangeshehadsuggestedinherentrance,asshesangherbestsolo。Hediscussedthiswithheruntiltheyrosetoleavethetheater。Helookedsmilinglydownonher,andsaidwiththeflatteringairofthesatisfiedconnoisseur:

``Yes,youarecharming,Mildred。Icanmakeagreatartistandagreatsuccessoutofyou。Weneedeachother。’’

``Icertainlyneedyou,’’saidshegratefully。``Howmuchyou’vedoneforme。’’

``Onlythebeginning,’’repliedhe。``Ah,Ihavesuchplansforyou——suchplans。Crossleydoesn’trealizehowfaryoucanbemadetogo——withtherighttraining。Withoutit——’’Heshookhisheadlaughingly。

``Butyoushallhaveit,mydear。’’Andhelaidhishandslightlyandcaressinglyuponhershoulders。

Thegesturewasapparentlyafriendlyfamiliarity。

Toresentit,eventodrawaway,wouldputherintheattitudeofthewomanabsurdlyexercisedaboutthedesirabilityandsacrednessofherowncharms。

Stillsmiling,inthatfriendly,assuredway,hewenton:``You’vebeenverycoldandreservedwithme,mydear。Veryunappreciative。’’

Mildred,redandtrembling,hungherheadinconfusion。

``I’vebeenatthebusinesstenyears,’’hewenton,``andyou’rethefirstwomanI’vebeenmorethancasuallyinterestedin。Theprettyoneswerebores。Thehomelyones——Ican’tinterestmyselfinahomelywoman,nomatterhowmuchtalentshehas。Awomanmustfirstofallsatisfytheeye。Andyou——’’Heseatedhimselfanddrewhertowardhim。She,coldalloverandconfusedinmindandalmoststupefied,resistedwithallherstrength。butherstrengthseemedtobeoozingaway。Shesaid:

``Youmustnotdothis。Youmustnotdothis。I’mhorriblydisappointedinyou。’’

Hedrewhertohislapandheldhertherewithoutanyapparenttaxuponhisstrength。Hekissedher,laughinglypushingawaythearmswithwhichshetriedtoshieldherface。Suddenlyshefoundstrengthtowrenchherselffreeandstoodatadistancefromhim。

Shewaspantingalittle,waspale,waslookingathimwithcoldanger。

``Youwillpleaseleavethisroom,’’saidshe。

Helitacigarette,crossedhislegscomfortably,andlookedatherwithlaughingeyes。``Don’tdothat,’’hesaidgenially。``Surelymylessonsinactinghaven’tbeeninvain。That’stooobviouslyapose。’’

Shewenttothemirror,arrangedherhat,andmovedtowardthedoor。Heroseandbarredtheway。

``Youareassensibleasyouaresweetandlovely,’’

saidhe。``Whyshouldyouinsistonourbeingbadfriends?’’

``Ifyoudon’tstandaside,I’llcallouttothewatchman。’’

``I’dneverhavethoughtyouweredishonest。Infact,Idon’tbelieveityet。Youdon’tlooklikeoneofthoseladieswhowishtotakeeverythingandgivenothing。’’Histoneandmannerweremostattractive。

Besides,shecouldnotforgetallhehaddoneforher——andallhecoulddoforher。Saidshe:

``Mr。Ransdell,ifI’vedoneanythingtocauseyoutomisunderstand,itwasunconscious。AndI’msorry。

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