Alfred Tennyson

第7章

Butbecause,fairdamsel,thatyelovemeasyesayyedo,Iwill,foryourgoodwillandkindness,showyousomegoodness,……andalwayswhileIlivetobeyourtrueknight。"Hereare"amiablewordsandcourtesy。"IcannotagreewithMrHarrisonthatMalory\'sbookismerely"afiercelustyepic。"Thatwasnottheopinionofitsprinterandpublisher,Caxton。Heproduceditasanexampleof"thegentleandvirtuousdeedsthatsomeknightsusedinthesedays,……

nobleandrenownedactsofhumanity,gentleness,andchivalry。Forhereinmaybeseennoblechivalry,courtesy,humanity,friendliness,love,cowardice,murder,hate,virtue,andsin。Doafterthegoodandleavetheevil。"

Inreactionagainstthebold-facedheroinesandsensualamoursofsomeoftheoldFrenchromances,anidealofexaggeratedasceticism,ofstainlesschastity,notoriouslypervadestheportionofMalory\'sworkwhichdealswiththeHolyGrail。Lancelotisdistraughtwhenhefindsthat,bydintofenchantment,hehasbeenmadefalsetoGuinevere(BookXI。chap。viii。)AfterhisdreamingvisionoftheHolyGrail,withthereproachfulVoice,SirLancelotsaid,"Mysinandmywickednesshavebroughtmegreatdishonour,……andnowI

seeandunderstandthatmyoldsinhinderethandshamethme。"Hewashuman,theLancelotofMalory,and"felltohisoldloveagain,"withaheavyheart,andwithlongpenanceattheend。Howsuchgoodknightscanbedeemedconsciencelessandvoidofcourtesyoneknowsnot,exceptbyasurvivalofthePuritanismofAscham。ButTennysonfoundinthebookwhatisinthebook——honour,conscience,courtesy,andthehero-

"Whosehonourrootedindishonourstood,Andfaithunfaithfulkepthimfalselytrue。"

Malory\'sbook,whichwasTennyson\'schiefsource,endsbybeingthetragedyoftheconscienceofLancelot。Arthurisdead,or"InAvalonhegrowethold。"TheQueenandLancelotmightsing,asLennoxreportsthatQueenMarydidafterDarnley\'smurder-

"WeelismeForIamfree。"

"Whytooktheynottheirpastime?"Becauseconscienceforbade,andGuineveresendsherloverfarfromher,andbothdieinreligion。

ThusMalory\'s"fiercelustyepic"isneithersolustynorsofiercebutthatitgivesTennysonhiskeynote:thesinthatbreaksthefaircompanionship,andisbitterlyrepented。

"Theknightsarealmosttoopolitetokilleachother,"thecriticurges。InMalorytheyaresometimesquitetoopolitetokilleachother。SirDarrashasablood-feudagainstSirTristram,andSirTristramisinhisdungeon。SirDarrassaid,"WityewellthatSirDarrasshallneverdestroysuchanobleknightasthouartinprison,howbeitthatthouhastslainthreeofmysons,wherebyIwasgreatlyaggrieved。Butnowshaltthougoandthyfellows……Allthatyedid,"saidSirDarras,"wasbyforceofknighthood,andthatwasthecauseIwouldnotputyoutodeath"(BookIX。chap。xl。)

Tennysonisaccusedof"emasculatingthefiercelustyepicintoamorallesson,asifitweretobeperformedinadrawing-roombyanacademyofyoungladies"——presidedover,Idaresay,by"Anglicanclergymen。"IknownothowanyonewhohasreadtheMorted\'ArthurcanblameTennysoninthematter。LetMaloryandhissourcesbeblamed,iftobemoralistobeculpable。Afewpassagesapart,thereisnocoarsenessinMalory;thatthereareconscience,courtesy,"sweetlives,""keepingdownthebaseinman,""amiablewords,"andallthatTennysongives,and,inMrHarrison\'stheory,giveswithoutauthorityintheromance,myquotationsfromMalorydemonstrate。Theyarechosenatacasualopeningofhisbook。Thatthere"hadnotarisenintheworld""theideaofreverencingconscience"beforethecloseofthefifteenthcenturyA。D。isanextraordinarystatementforacriticofhistorytooffer。

MrHarrisonmakeshisprotestbecause"intheconspiracyofsilenceintowhichTennyson\'sjustfamehashypnotisedthecritics,itisbarehonestytoadmitdefects。"IthinkIamnothypnotised,andI

donotregardtheIdyllsasthecrownofTennyson\'swork。Butitisnothis"defect"tohaveintroducedgenerosity,gentleness,conscience,andchastitywherenosuchthingsoccurinhissources。

TakeSirDarras:hispositionisthatofPriamwhenhemeetsAchilles,whoslewhissons,exceptthatPriamcomesasasuppliant;

SirDarrashasTristraminhishands,andmayslayhim。Heis"toopolite,"asMrHarrisonsays:heistoogoodaChristian,ortoogoodagentleman。OnewouldnothavegivenatripodforthelifeofAchilleshadhefallenintothehandsofPriam。Butbetween1200

B。C。(orso)andthedateofMalory,newideasabout"livingsweetlives"hadarisen。Whereandwhendotheynotarise?ABritishpatrolfiredoncertainSwazisintimeoftruce。Theirlieutenant,whohadbeenabsentwhenthisoccurred,rodealonetothestrongholdoftheSwaziking,Sekukoeni,andgavehimselfup,expectingdeathbytorture。"Go,sir,"saidtheking;"wetooaregentlemen。"Theideaofa"sweetlife"ofhonourhaddawnedevenonSekukoeni:itlightsupMalory\'sromance,andisreflectedinTennyson\'sIdylls,doubtlesswithsomemodernismofexpression。

ThattheIdyllsrepresentnorealworldiscertain。ThatTennysonmodernisesandmoralisestoomuch,Iwillinglyadmit;whatIdenyisthatheintroducesgentleness,courtesy,andconsciencewherehissourceshavenone。Indeedthisisnotamatterofcriticalopinion,butofverifiablefact。AnyonecanreadMaloryandjudgeforhimself。ButtheworldinwhichtheIdyllsmovecouldnotbereal。

Formorethanathousandyearsdifferentraces,differentages,hadtakenholdoftheancientCelticlegendsandspiritualisedthemaftertheirownmanner,andmouldedthemtotheirownideals。TheremayhavebeenahistoricalArthur,ComesBritanniae,aftertheRomanwithdrawal。YeAmherawdyrArthur,"theEmperorArthur,"mayhavelivedandfought,andledtheBrythonstobattle。ButtheremayalsohavebeenaBrythonicdeity,orculturehero,ofthesame,orofasimilarname,andmythsabouthimmayhavebeenassignedtoarealArthur。Again,theArthuroftheoldWelshlegendswasbynomeanstheblamelessking——evenincomparativelylateFrenchromancesheisnotblameless。Buttheprocessofidealisinghimwenton:stillincompleteinMalory\'scompilation,whereheisoftenratherotioseandfarfromroyal。Tennyson,forhispurpose,completedtheidealisation。

AstoGuinevere,shewasnotidealisedintheoldWelshrhyme-

"Guinevere,GiantOgurvan\'sdaughter,Naughtyyoung,morenaughtylater。"

OfLancelot,andherpassionforhim,theoldWelshhasnothingtosay。ProbablyChretiendeTroyes,byahappyblunderormisconception,gaveLancelothisloveandhispre-eminentpart。

LancelotwasconfusedwithPeredur,andGuineverewiththeladyofwhomPeredurwasinquest。TheElainewhobecomesbyLancelotthemotherofGalahad"wasLancelot\'srightfulconsort,asonerecognisesinhernamethatofElen,theEmpress,whomthestoryofPeredur"

(Lancelot,bytheconfusion)"givesthatherotowife。"ThesecondElaine,themaidofAstolat,isanotherrefractionfromtheoriginalElen。AstotheGrail,itmaybeaChristianisedrenderingofoneoranotherofthemagicalandmysticcaldronsofWelshorIrishlegend。

ThereisevenanapparentCelticsourceofthemysteriousfisherkingoftheGrailromance。{12}

AsketchoftheevolutionoftheArthurianlegendsmightrunthus:-

Sixthtoeighthcentury,growthofmythaboutanArthur,real,orsupposedtobereal。

Tenthcentury,theDuchiesofNormandyandBrittanyareincloserelations;bytheeleventhcenturyNormansknowCelticArthurianstories。

After,1066,NormansincontactwiththeCelticpeoplesofthisislandareintouchwiththeArthurtales。

1130-1145,worksonArthurianmatterbyGeoffreyofMonmouth。

1155,Wace\'sFrenchtranslationofGeoffrey。

1150-1182,ChretiendeTroyeswritespoemsonArthuriantopics。

FrenchproseromancesonArthur,from,say,1180to1250。ThoseromancesreachWales,andmodify,intranslations,theoriginalWelshlegends,or,inpart,supplantthem。

Amplificationsandrecastingsarenumerous。In1485CaxtonpublishesMalory\'sselectionsfromFrenchandEnglishsources,thewholebeingTennyson\'smainsource,LeMortd\'Arthur。{13}

ThustheArthurstories,originallyCeltic,originallyamassofsemi-paganlegend,myth,andmarchen,havebeenretoldandrehandledbyNorman,Englishman,andFrenchman,takingonnewhues,expressingnewideals——religious,chivalrous,andmoral。Anypoetmayworkhiswillonthem,andTennyson\'swillwastoretainthechivalrouscourtesy,generosity,love,andasceticism,whiledimlyorbrightlyveilingorilluminatingthemwithhisownideals。Aftersomanyprocesses,fromfolk-taletomodernidyll,theArthurianworldcouldnotbereal,andrealitisnot。Camelotlies"outofspace,outoftime,"thoughthecolouringismainlythatofthelaterchivalry,and"thegleam"onthehuesispartlyderivedfromCelticfancyofvariousdates,andispartlyTennysonian。

AstheIdyllswerefinallyarranged,thefirst,TheComingofArthur,isaremarkableproofofTennyson\'singenuityinconstruction。TalesaboutthebirthofArthurvaried。InMalory,UtherPendragon,theBretwalda(inlaterphrase)ofBritain,besiegestheDukeofTintagil,whohasafairwife,Ygerne,inanothercastle。MerlinmagicallyputsonUthertheshapeofYgerne\'shusband,andasherhusbandshereceiveshim。OnthatnightArthurisbegottenbyUther,andtheDukeofTintagil,hismother\'shusband,isslaininasortie。

UtherwedsYgerne;bothrecogniseArthurastheirchild。However,bytheCelticcustomoffosteragetheinfantisintrustedtoSirEctorashisdalt,orfoster-child,andUtherfallsinbattle。Arthurislaterapprovenkingbytheadventureofdrawingfromthestonethemagicswordthatnootherkingcouldmove。ThisadventureanswerstoSigmund\'sdrawingtheswordfromtheBranstock,intheVolsungaSaga,"Nowmenstandup,andnonewouldfainbethelasttolayhandtothesword,"apparentlystrickenintothepillarbyWoden。"Butnonewhocametheretomightavailtopullitout,forinnowisewoulditcomeawayhowsoevertheytuggedatit,butnowupcomesSigmund,KingVolsung\'sson,andsetshandtothesword,andpullsitfromthestock,evenasifitlayloosebeforehim。"TheincidentintheArthurianasintheVolsungalegendisonaparwiththeGoldenBough,inthesixthbookoftheAEneid。Onlythepredestinedchampion,suchasAEneas,canpluck,orbreak,orcutthebough-

"IpsevolensfacilisquesequeturSitefatavocant。"

AllthisancientpopularelementintheArthurstoryisdisregardedbyTennyson。HedoesnotmakeUtherapproachYgerneinthesemblanceofherlord,asZeusapproachedAlcmenainthesemblanceofherhusband,Amphitryon。HeneglectstheotherancienttestoftheprovingofArthurbyhissuccessindrawingthesword。Thepoet\'sobjectistoenfoldtheoriginandbirthofArthurinaspiritualmystery。ThisisdeftlyaccomplishedbyaidofthevariousversionsofthetalethatreachKingLeodogranwhenArthurseeksthehandofhisdaughterGuinevere,forArthur\'stitletothecrownisstilldisputed,soLeodogranmakesinquiries。TheanswersfirstleaveitdubiouswhetherArthurissonofGorlois,husbandofYgerne,orofUther,whoslewGorloisandmarriedher:-

"Enforcedshewastowedhiminhertears。"

TheCelticcustomoffosterageisoverlooked,andMerlingivesthechildtoAnton,notasthecustomarydalt,buttopreservethebabefromdanger。QueenBellicentthentellsLeodogran,fromtheevidenceofBleys,Merlin\'smasterinnecromancy,thestoryofArthur\'smiraculousadvent。

"AnddownthewaveandintheflamewasborneAnakedbabe,androdetoMerlin\'sfeet,Whostooptandcaughtthebabe,andcried\'TheKing!

HereisanheirforUther!\'"

ButMerlin,whenaskedbyBellicenttocorroboratethestatementofBleys,merely"Answer\'dinriddlingtripletsofoldtime。"

Finally,Leodogran\'sfaithisconfirmedbyavision。Thusdoubtfully,amidstrumourandportent,cloudandspirituallight,comesArthur:"fromthegreatdeep"hecomes,andinasstrangefashion,attheend,"tothegreatdeephegoes"——akingtobeacceptedinfaithorrejectedbydoubt。Arthurandhisidealareobjectsofbelief。Allgoeswellwhiletheknightsholdthat"TheKingwillfollowChrist,andwetheKing,InwhomhighGodhathbreathedasecretthing。"

InhistorywefindthesamesituationintheFranceof1429-

"TheKingwillfollowJeanne,andwetheKing。"

Whilethisfaithheld,allwentwell;whenthekingceasedtofollow,thespellwasbroken,——theMaidwasmartyred。InthissensethepoetconceivesthecomingofArthur,asigntobespokenagainst,atestofhighpurposes,abeliefredeemingandennoblingtillfaithfails,andthelittleriftwithinthelute,theloveofLancelotandGuinevere,makesdiscordofthemusic。Asmatteroflegend,itistobeunderstoodthatGuineveredidnotrecogniseArthurwhenfirstherodebelowherwindow-

"SinceheneitherworeonhelmorshieldThegoldensymbolofhiskinglihood。"

ButLancelotwassenttobringthebride-

"Andreturn\'dAmongtheflowers,inMay,withGuinevere。"

Thentheirlonglovemayhavebegun,asinthestoryofTristramsenttobringYseulttobethebrideofKingMark。InMalory,however,LancelotdoesnotcomeonthescenetillafterArthur\'sweddingandreturnfromhisconqueringexpeditiontoRome。ThenLancelotwinsrenown,"whereforeQueenGuineverehadhiminfavouraboveallotherknights;andincertainhelovedtheQueenagainaboveallotherladiesdamoselsofhislife。"Lancelot,aswehaveseen,ispracticallyaFrenchcreation,adoptedtoillustratethechivalroustheoryoflove,withitsbitterfruit。ThoughnotoftheoriginalCelticstockoflegend,SirLancelotmakestheromancewhatitis,anddrawsdownthetragedythatoriginallyturnedonthesinofArthurhimself,thesinthatgavebirthtothetraitorModred。Butthemediaevalromancersdisguisedthatformofthestory,andtheprocessofidealisingArthurreachedsuchheightsinthemiddleagesthatTennysonthoughthimselfatlibertytopainttheFlosRegum,"theblamelessKing。"HefollowedtheBrutabArthur。"Inshort,GodhasnotmadesinceAdamwas,themanmoreperfectthanArthur。"

ThisisremotefromtheArthuroftheoldestCelticlegends,butjustifiesthepoetinadaptingArthurtotheidealherooftheIdylls:-

"Idealmanhoodclosedinrealman,Ratherthanthatgreyking,whosename,aghost,Streamslikeacloud,man-shaped,frommountain-peak,Andcleavestocairnandcromlechstill;orhimOfGeoffrey\'sbook,orhimofMalleor\'s,oneTouchedbytheadulterousfingerofatimeThathoveredbetweenwarandwantonness,Andcrowningsanddethronements。"

ThepoeticalbeautiesofTheComingofArthurexcelthoseofGarethandLynette。ThesonsofLotandBellicentseemtohavebeenoriginallyregardedastheincestuousoffspringofArthurandhissister,thewifeofKingLot。NextitwasrepresentedthatArthurwasignorantoftherelationship。MrRhyssupposesthatthemythicalscandal(stillpresentinMaloryasasinofignorance)arosefromblendingtheCelticArthur(asCultureHero)withanolderdivinepersonage,suchasZeus,whomarrieshissisterHera。MarriagesofbrotherandsisterarefamiliarintheEgyptianroyalhouse,andthatoftheIncas。Butthepoethasaperfectrighttodisregardascandalousmythwhich,obviouslycrystallisedlateraboutthefigureofthemythicalCelticArthur,wasanincongruousaccretiontohislegend。Gareth,therefore,ismerelyArthur\'snephew,notson,inthepoem,asareGawainandthetraitorModred。ThestoryseemstoberathermediaevalFrenchthanCeltic——aminglingofthespiritoffabliauandpopularfairytale。Thepoethasaddedtoitslightness,almostfrivolity,thedescriptionoftheunrealcityofCamelot,builttomusic,aswhen"Ilion,likeamist,roseintotowers。"

HehasalsobroughtintheallegoryofDeath,which,whenfaced,provestobe"abloomingboy"behindthemask。ThecourtesyandprowessofLancelotleaduptothelaterdevelopmentofhischaracter。

InTheMarriageofGeraint,arumourhasalreadyrisenaboutLancelotandtheQueen,darkeningtheCourt,andpresaging"Theworld\'sloudwhisperbreakingintostorm。"

ForthisreasonGeraintremovesEnidfromCamelottohisownland——

thepoetthusearlyleadinguptothesinandthedoomofLancelot。

ButthismotivedoesnotoccurintheWelshstoryofEnidandGeraint,whichTennysonhasotherwisefollowedwithunwontedcloseness。ThetaleoccursinFrenchromancesinvariousforms,butitappearstohavereturned,bywayofFranceandcolouredwithFrenchinfluences,toWales,whereitisoneofthelaterMabinogion。

ThecharactersareCeltic,andNud,fatherofEdyrn,Geraint\'sdefeatedantagonist,appearstoberecognisedbyMrRhysas"theCelticZeus。"ThemannersandthetournamentsareFrench。IntheWelshtaleGeraintandEnidarebeddedinArthur\'sownchamber,whichseemstobeasymboliccommutationofthejusprimaenoctisacustomofwhichtheveryexistenceisdisputed。Thisunseemlyantiquariandetail,ofcourse,isomittedintheIdyll。

AnabstractoftheWelshtalewillshowhowcloselyTennysonherefollowshisoriginal。NewsisbroughtintoArthur\'sCourtoftheappearanceofawhitestag。Thekingarrangesahunt,andGuinevereasksleavetogoandwatchthesport。Nextmorningshecannotbewakened,thoughthetaledoesnotaver,liketheIdyll,thatshewas"Lostinsweetdreams,anddreamingofherloveForLancelot。"

Guineverewakeslate,andridesthroughafordofUsktothehunt。

Geraintfollows,"agolden-hiltedswordwasathisside,andarobeandasurcoatofsatinwereuponhim,andtwoshoesofleatheruponhisfeet,andaroundhimwasascarfofbluepurple,ateachcornerofwhichwasagoldenapple":-

"ButGuineverelaylateintothemorn,Lostinsweetdreams,anddreamingofherloveForLancelot,andforgetfulofthehunt;

Butroseatlast,asinglemaidenwithher,Tookhorse,andfordedUsk,andgain\'dthewood;

There,onalittleknollbesideit,stay\'dWaitingtohearthehounds;butheardinsteadAsuddensoundofhoofs,forPrinceGeraint,Latealso,wearingneitherhunting-dressNorweapon,saveagolden-hiltedbrand,Camequicklyflashingthro\'theshallowfordBehindthem,andsogallop\'duptheknoll。

Apurplescarf,ateitherendwhereofThereswunganappleofthepurestgold,Sway\'droundabouthim,ashegallop\'dupTojointhem,glancinglikeadragon-flyInsummersuitandsilksofholiday。"

Theencounterwiththedwarf,thelady,andtheknightfollows。TheproseoftheMabinogimaybecomparedwiththeverseofTennyson:-

"Geraint,"saidGwenhwyvar,"knowestthouthenameofthattallknightyonder?""Iknowhimnot,"saidhe,"andthestrangearmourthathewearspreventsmyeitherseeinghisfaceorhisfeatures。"

"Go,maiden,"saidGwenhwyvar,"andaskthedwarfwhothatknightis。"Thenthemaidenwentuptothedwarf;andthedwarfwaitedforthemaiden,whenhesawhercomingtowardshim。Andthemaideninquiredofthedwarfwhotheknightwas。"Iwillnottellthee,"heanswered。"Sincethouartsochurlishasnottotellme,"saidshe,"Iwillaskhimhimself。""Thoushaltnotaskhim,bymyfaith,"

saidhe。"Wherefore?"saidshe。"BecausethouartnotofhonoursufficienttobefittheetospeaktomyLord。"Thenthemaidenturnedherhorse\'sheadtowardstheknight,uponwhichthedwarfstruckherwiththewhipthatwasinhishandacrossthefaceandtheeyes,untilthebloodflowedforth。Andthemaiden,throughthehurtshereceivedfromtheblow,returnedtoGwenhwyvar,complainingofthepain。"Veryrudelyhasthedwarftreatedthee,"saidGeraint。

"Iwillgomyselftoknowwhotheknightis。""Go,"saidGwenhwyvar。

AndGeraintwentuptothedwarf。"Whoisyonderknight?"saidGeraint。"Iwillnottellthee,"saidthedwarf。"ThenwillIaskhimhimself,"saidhe。"Thatwiltthounot,bymyfaith,"saidthedwarf;"thouartnothonourableenoughtospeakwithmyLord。"SaidGeraint,"Ihavespokenwithmenofequalrankwithhim。"Andheturnedhishorse\'sheadtowardstheknight;butthedwarfovertookhim,andstruckhimashehaddonethemaiden,sothatthebloodcolouredthescarfthatGeraintwore。ThenGeraintputhishanduponthehiltofhissword,buthetookcounselwithhimself,andconsideredthatitwouldbenovengeanceforhimtoslaythedwarf,andtobeattackedunarmedbythearmedknight,sohereturnedtowhereGwenhwyvarwas。

"Andwhiletheylisten\'dforthedistanthunt,AndchieflyforthebayingofCavall,KingArthur\'shoundofdeepestmouth,thererodeFullslowlybyaknight,lady,anddwarf;

Whereofthedwarflagg\'dlatest,andtheknightHadvizorup,andshow\'dayouthfulface,Imperious,andofhaughtiestlineaments。

AndGuinevere,notmindfulofhisfaceIntheKing\'shall,desiredhisname,andsentHermaidentodemanditofthedwarf;

Whobeingvicious,oldandirritable,Anddoublingallhismaster\'sviceofpride,Madeanswersharplythatsheshouldnotknow。

\'ThenwillIaskitofhimself,\'shesaid。

\'Nay,bymyfaith,thoushaltnot,\'criedthedwarf;

\'Thouartnotworthyev\'ntospeakofhim\';

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