下载辰思小说免费APP
Theypartedonthelawnbeforethehouse,theCounttoclimbhistower,andthesculptortoreadanantiqueeditionofDante,whichhehadfoundamongsomeoldvolumesofCatholicdevotion,inaseldom-visitedroom,Tomasomethimintheentrancehall,andshowedadesiretospeak。
"Ourpoorsignorinolooksverysadto-day!"hesaid。
"Evenso,goodTomaso,"repliedthesculptor。"Wouldthatwecouldraisehisspiritsalittle!"
"Theremightbemeans,Signore,"answeredtheoldbutler,"ifonemightbutbesurethattheyweretherightones。Wemenarebutroughnursesforasickbodyorasickspirit。"
"Women,youwouldsay,mygoodfriend,arebetter,"saidthesculptor,struckbyanintelligenceinthebutler\'sface。"Thatispossible!
Butitdepends。"
"Ah;wewillwaitalittlelonger,"saidTomaso,withthecustomaryshakeofhishead。
CHAPTERXXVIII
THEOWLTOWER
"Willyounotshowmeyourtower?"saidthesculptoronedaytohisfriend。
"Itisplainlyenoughtobeseen,methinks,"answeredtheCount,withakindofsulkinessthatoftenappearedinhim,asoneofthelittlesymptomsofinwardtrouble。
"Yes;itsexteriorisvisiblefarandwide,"saidKenyon。"Butsuchagray,moss-growntowerasthis,howevervaluableasanobjectofscenery,willcertainlybequiteasinterestinginsideasout。Itcannotbelessthansixhundredyearsold;thefoundationsandlowerstoryaremucholderthanthat,Ishouldjudge;andtraditionsprobablyclingtothewallswithinquiteasplentifullyasthegrayandyellowlichensclusteronitsfacewithout。"
"Nodoubt,"repliedDonatello,——"butIknowlittleofsuchthings,andnevercouldcomprehendtheinterestwhichsomeofyouForestieritakeinthem。AyearortwoagoanEnglishsignore,withavenerablewhitebeard——theysayhewasamagician,too——camehitherfromasfaroffasFlorence,justtoseemytower。"
"Ah,IhaveseenhimatFlorence,"observedKenyon。"Heisanecromancer,asyousay,anddwellsinanoldmansionoftheKnightsTemplars,closebythePonteVecchio,withagreatmanyghostlybooks,pictures,andantiquities,tomakethehousegloomy,andonebright-eyedlittlegirl,tokeepitcheerful!"
"Iknowhimonlybyhiswhitebeard,"saidDonatello;"buthecouldhavetoldyouagreatdealaboutthetower,andthesiegeswhichithasstood,andtheprisonerswhohavebeenconfinedinit。AndhegatheredupallthetraditionsoftheMonteBenifamily,and,amongtherest,thesadonewhichItoldyouatthefountaintheotherday。
Hehadknownmightypoets,hesaid,inhisearlierlife;andthemostillustriousofthemwouldhaverejoicedtopreservesuchalegendinimmortalrhyme,——especiallyifhecouldhavehadsomeofourwineofSunshinetohelpouthisinspiration!"
"Anymanmightbeapoet,aswellasByron,withsuchwineandsuchatheme,"rejoinedthesculptor。"ButshallweclimbyourtowerThethunder-stormgatheringyonderamongthehillswillbeaspectacleworthwitnessing。"
"Come,then,"saidtheCount,adding,withasigh,"ithasawearystaircase,anddismalchambers,anditisverylonesomeatthesummit!"
"Likeaman\'slife,whenhehasclimbedtoeminence,"remarkedthesculptor;"or,letusrathersay,withitsdifficultsteps,andthedarkprisoncellsyouspeakof,yourtowerresemblesthespiritualexperienceofmanyasinfulsoul,which,nevertheless,maystruggleupwardintothepureairandlightofHeavenatlast!"
Donatellosighedagain,andledthewayupintothetower。
Mountingthebroadstaircasethatascendedfromtheentrancehall,theytraversedthegreatwildernessofahouse,throughsomeobscurepassages,andcametoalow,ancientdoorway。Itadmittedthemtoanarrowturretstairwhichzigzaggedupward,lightedinitsprogressbyloopholesandiron-barredwindows。Reachingthetopofthefirstflight,theCountthrewopenadoorofworm-eatenoak,anddisclosedachamberthatoccupiedthewholeareaofthetower。Itwasmostpitiablyforlornofaspect,withabrick-pavedfloor,bareholesthroughthemassivewalls,gratedwithiron,insteadofwindows,andforfurnitureanoldstool,whichincreasedthedrearinessoftheplacetenfold,bysuggestinganideaofitshavingoncebeentenanted。
"Thiswasaprisoner\'scellintheolddays,"saidDonatello;"thewhite-beardednecromancer,ofwhomItoldyou,foundoutthatacertainfamousmonkwasconfinedhere,aboutfivehundredyearsago。
Hewasaveryholyman,andwasafterwardsburnedatthestakeintheGrand-ducalSquareatFirenze。Therehavealwaysbeenstories,Tomasosays,ofahoodedmonkcreepingupanddownthesestairs,orstandinginthedoorwayofthischamber。Itmustneedsbetheghostoftheancientprisoner。Doyoubelieveinghosts?"
"Icanhardlytell,"repliedKenyon;"onthewhole,Ithinknot。"
"NeitherdoI,"respondedtheCount;"for,ifspiritsevercomeback,Ishouldsurelyhavemetonewithinthesetwomonthspast。Ghostsneverrise!SomuchIknow,andamgladtoknowit!"
Followingthenarrowstaircasestillhigher,theycametoanotherroomofsimilarsizeandequallyforlorn,butinhabitedbytwopersonagesofaracewhichfromtimeimmemorialhaveheldproprietorshipandoccupancyinruinedtowers。Thesewereapairofowls,who,beingdoubtlessacquaintedwithDonatello,showedlittlesignofalarmattheentranceofvisitors。Theygaveadismalcroakortwo,andhoppedasideintothedarkestcorner,sinceitwasnotyettheirhourtoflapduskilyabroad。
"Theydonotdesertme,likemyotherfeatheredacquaintances,"
observedtheyoungCount,withasadsmile,alludingtothescenewhichKenyonhadwitnessedatthefountain-side。"WhenIwasawild,playfulboy,theowlsdidnotlovemehalfsowell。"
Hemadenofurtherpausehere,butledhisfriendupanotherflightofsteps——while,ateverystage,thewindowsandnarrowloopholesaffordedKenyonmoreextensiveeye-shotsoverhillandvalley,andallowedhimtotastethecoolpurityofmid-atmosphere。Atlengththeyreachedthetopmostchamber,directlybeneaththeroofofthetower。
"Thisismyownabode,"saidDonatello;"myownowl\'snest。"
Infact,theroomwasfittedupasabedchamber,thoughinastyleoftheutmostsimplicity。Itlikewiseservedasanoratory;therebeingacrucifixinonecorner,andamultitudeofholyemblems,suchasCatholicsjudgeitnecessarytohelptheirdevotionwithal。Severaluglylittleprints,representingthesufferingsoftheSaviour,andthemartyrdomsofsaints,hungonthewall;andbehindthecrucifixtherewasagoodcopyofTitian\'sMagdalenofthePittiPalace,cladonlyintheflowofhergoldenringlets。Shehadaconfidentlook(butitwasTitian\'sfault,notthepenitentwoman\'s),asifexpectingtowinheavenbythefreedisplayofherearthlycharms。InsideofaglasscaseappearedanimageofthesacredBambino,intheguiseofalittlewaxenboy,veryprettilymade,recliningamongflowers,likeaCupid,andholdingupaheartthatresembledabitofredsealing-wax。
Asmallvaseofpreciousmarblewasfullofholywater。
Beneaththecrucifix,onatable,layahumanskull,whichlookedasifitmighthavebeendugupoutofsomeoldgrave。But,examiningitmoreclosely,Kenyonsawthatitwascarvedingrayalabaster;mostskillfullydonetothedeath,withaccurateimitationoftheteeth,thesutures,theemptyeye-caverns,andthefragilelittlebonesofthenose。Thishideousemblemrestedonacushionofwhitemarble,sonicelywroughtthatyouseemedtoseetheimpressionoftheheavyskullinasilkenanddownysubstance。
Donatellodippedhisfingersintotheholy-watervase,andcrossedhimself。Afterdoingsohetrembled。
"Ihavenorighttomakethesacredsymbolonasinfulbreast!"hesaid。
"Onwhatmortalbreastcanitbemade,then?"askedthesculptor。"Isthereonethathidesnosin?"
"Buttheseblessedemblemsmakeyousmile,Ifear,"resumedtheCount,lookingaskanceathisfriend。"Youheretics,Iknow,attempttopraywithoutevenacrucifixtokneelat。"
"I,atleast,whomyoucallaheretic,reverencethatholysymbol,"
answeredKenyon。"WhatIammostinclinedtomurmuratisthisdeath\'shead。Icouldlaugh,moreover,initsuglyface!Itisabsurdlymonstrous,mydearfriend,thustoflingthedeadweightofourmortalityuponourimmortalhopes。Whileweliveonearth,\'tistrue,wemustneedscarryourskeletonsaboutwithus;but,forHeaven\'ssake,donotletusburdenourspiritswiththem,inourfeebleeffortstosoarupward!Believeme,itwillchangethewholeaspectofdeath,ifyoucanoncedisconnectit,inyouridea,withthatcorruptionfromwhichitdisengagesourhigherpart。"
"Idonotwellunderstandyou,"saidDonatello;andhetookupthealabasterskull,shuddering,andevidentlyfeelingitakindofpenancetotouchit。"Ionlyknowthatthisskullhasbeeninmyfamilyforcenturies。OldTomasohasastorythatitwascopiedbyafamoussculptorfromtheskullofthatsameunhappyknightwholovedthefountainlady,andlostherbyablood-stain。Helivedanddiedwithadeepsenseofsinuponhim,andonhisdeath-bedheordainedthatthistokenofhimshouldgodowntohisposterity。Andmyforefathers,beingacheerfulraceofmenintheirnaturaldisposition,founditneedfultohavetheskulloftenbeforetheireyes,becausetheydearlylovedlifeanditsenjoyments,andhatedtheverythoughtofdeath。"
"Iamafraid,"saidKenyon,"theylikeditnonethebetter,forseeingitsfaceunderthisabominablemask。"
Withoutfurtherdiscussion,theCountledthewayuponemoreflightofstairs,attheendofwhichtheyemergeduponthesummitofthetower。Thesculptorfeltasifhisbeingweresuddenlymagnifiedahundredfold;sowidewastheUmbrianvalleythatsuddenlyopenedbeforehim,setinitsgrandframeworkofnearerandmoredistanthills。ItseemedasifallItalylayunderhiseyesinthatonepicture。Fortherewasthebroad,sunnysmileofGod,whichwefancytobespreadoverthatfavoredlandmoreabundantlythanonotherregions,andbeneathitglowedamostrichandvariedfertility。Thetrimvineyardswerethere,andthefig-trees,andthemulberries,andthesmoky-huedtractsoftheoliveorchards;there,too,werefieldsofeverykindofgrain,amongwhich,wavedtheIndiancorn,puttingKenyoninmindofthefondlyrememberedacresofhisfather\'shomestead。Whitevillas,grayconvents,churchspires,villages,towns,eachwithitsbattlementedwallsandtoweredgateway,werescattereduponthisspaciousmap;arivergleamedacrossit;andlakesopenedtheirblueeyesinitsface,reflectingheaven,lestmortalsshouldforgetthatbetterlandwhentheybeheldtheearthsobeautiful。
Whatmadethevalleylookstillwiderwasthetwoorthreevarietiesofweatherthatwerevisibleonitssurface,allatthesameinstantoftime。Herelaythequietsunshine;therefellthegreatblackpatchesofominousshadowfromtheclouds;andbehindthem,likeagiantofleague-longstrides,camehurryingthethunderstorm,whichhadalreadysweptmidwayacrosstheplain。Intherearoftheapproachingtempest,brightenedforthagainthesunnysplendor,whichitsprogresshaddarkenedwithsoterribleafrown。
Allroundthismajesticlandscape,thebald-peakedorforest-crownedmountainsdescendedboldlyupontheplain。Onmanyoftheirspursandmidwaydeclivities,andevenontheirsummits,stoodcities,someofthemfamousofold;forthesehadbeentheseatsandnurseriesofearlyart,wheretheflowerofbeautysprangoutofarockysoil,andinahigh,keenatmosphere,whentherichestandmostshelteredgardensfailedtonourishit。
"ThankGodforlettingmeagainbeholdthisscene!"Saidthesculptor,adevoutmaninhisway,reverentlytakingoffhishat。"Ihavevieweditfrommanypoints,andneverwithoutasfullasensationofgratitudeasmyheartseemscapableoffeeling。HowitstrengthensthepoorhumanspiritinitsrelianceonHisprovidence,toascendbutthislittlewayabovethecommonlevel,andsoattainasomewhatwiderglimpseofHisdealingswithmankind!Hedoethallthingsright!Hiswillbedone!"
"Youdiscernsomethingthatishiddenfromme,"observedDonatellogloomily,yetstrivingwithunwontedgrasptocatchtheanalogieswhichsocheeredhisfriend。"Iseesunshineononespot,andcloudinanother,andnoreasonforitineitherease。Thesunonyou;thecloudonme!WhatcomfortcanIdrawfromthis?"
"Nay;Icannotpreach,"saidKenyon,"withapageofheavenandapageofearthspreadwideopenbeforeus!Onlybegintoreadit,andyouwillfinditinterpretingitselfwithouttheaidofwords。Itisagreatmistaketotrytoputourbestthoughtsintohumanlanguage。
Whenweascendintothehigherregionsofemotionandspiritualenjoyment,theyareonlyexpressiblebysuchgrandhieroglyphicsasthesearoundus。"
Theystoodawhile,contemplatingthescene;but,asinevitablyhappensafteraspiritualflight,itwasnotlongbeforethesculptorfelthiswingsflaggingintherarityoftheupperatmosphere。Hewasgladtolethimselfquietlydownwardoutofthemid-sky,asitwere,andalightonthesolidplatformofthebattlementedtower。Helookedabouthim,andbeheldgrowingoutofthestonepavement,whichformedtheroof,alittleshrub,withgreenandglossyleaves。Itwastheonlygreenthingthere;andHeavenknowshowitsseedshadeverbeenplanted,atthatairyheight,orhowithadfoundnourishmentforitssmalllifeinthechinksofthestones;forithadnoearth,andnothingmorelikesoilthanthecrumblingmortar,whichhadbeencrammedintothecrevicesinalong-pastage。
Yettheplantseemedfondofitsnativesite;andDonatellosaidithadalwaysgrowntherefromhisearliestremembrance,andnever,hebelieved,anysmalleroranylargerthantheysawitnow。
"Iwonderiftheshrubteachesyouanygoodlesson,"saidhe,observingtheinterestwithwhichKenyonexaminedit。"Ifthewidevalleyhasagreatmeaning,theplantoughttohaveatleastalittleone;andithasbeengrowingonourtowerlongenoughtohavelearnedhowtospeakit。"
"O,certainly!"answeredthesculptor;"theshrubhasitsmoral,oritwouldhaveperishedlongago。And,nodoubt,itisforyouruseandedification,sinceyouhavehaditbeforeyoureyesallyourlifetime,andnowaremovedtoaskwhatmaybeitslesson。"
"Itteachesmenothing,"saidthesimpleDonatello,stoopingovertheplant,andperplexinghimselfwithaminutescrutiny。"Butherewasawormthatwouldhavekilledit;anuglycreature,whichIwillflingoverthebattlements。"
CHAPTERXXIX
ONTHEBATTLEMENTS
Thesculptornowlookedthroughartembrasure,andthrewdownabitoflime,watchingitsfall,tillitstruckuponastonebenchattherockyfoundationofthetower,andflewintomanyfragments。
"PraypardonmeforhelpingTimetocrumbleawayyourancestralwalls,"
saidhe。"ButIamoneofthosepersonswhohaveanaturaltendencytoclimbheights,andtostandonthevergeofthem,measuringthedepthbelow。IfIweretodojustasIlike,atthismoment,Ishouldflingmyselfdownafterthatbitoflime。Itisaverysingulartemptation,andallbutirresistible;partly,Ibelieve,becauseitmightbesoeasilydone,andpartlybecausesuchmomentousconsequenceswouldensue,withoutmybeingcompelledtowaitamomentforthem。Haveyouneverfeltthisstrangeimpulseofanevilspiritatyourback,shovingyoutowardsaprecipice?"
"Ah,no!"cried。Donatello,shrinkingfromthebattlementedwallwithafaceofhorror。"Iclingtolifeinawaywhichyoucannotconceive;
ithasbeensorich,sowarm,sosunny!——andbeyonditsverge,nothingbutthechillydark!Andthenafallfromaprecipiceissuchanawfuldeath!"
"Nay;ifitbeagreatheight,"saidKenyon,"amanwouldleavehislifeintheair,andneverfeelthehardshockatthebottom。"
"Thatisnotthewaywiththiskindofdeath!"exclaimedDonatello,inalow,horrorstrickenvoice,whichgrewhigherandmorefullofemotionasheproceeded。"Imagineafellowcreature,——breathingnow,andlookingyouintheface,——andnowtumblingdown,down,down,withalongshriekwaveringafterhim,alltheway!Hedoesnotleavehislifeintheair!No;butitkeepsinhimtillhethumpsagainstthestones,ahorriblylongwhile;thenheliestherefrightfullyquiet,adeadheapofbruisedfleshandbrokenbones!Aquiverrunsthroughthecrushedmass;andnomoremovementafterthat!No;notifyouwouldgiveyoursoultomakehimstirafinger!Ah,terrible!Yes,yes;Iwouldfainflingmyselfdownfortheverydreadofit,thatI
mightendureitonceforall,anddreamofitnomorel"
"Howforcibly,howfrightfullyyouconceivethis!"saidthesculptor,aghastatthepassionatehorrorwhichwasbetrayedintheCount\'swords,andstillmoreinhiswildgesturesandghastlylook。"Nay,iftheheightofyourtoweraffectsyourimaginationthus,youdowrongtotrustyourselfhereinsolitude,andinthenight-time,andatallunguardedhours。Youarenotsafeinyourchamber。Itisbutasteportwo;andwhatifavividdreamshouldleadyouuphitheratmidnight,andactitselfoutasareality!"
Donatellohadhiddenhisfaceinhishands,andwasleaningagainsttheparapet。
"Nofearofthat!"saidhe。"Whateverthedreammaybe,Iamtoogenuineacowardtoactoutmyowndeathinit。"
Theparoxysmpassedaway,andthetwofriendscontinuedtheirdesultorytalk,verymuchasifnosuchinterruptionhadoccurred。
Nevertheless,itaffectedthesculptorwithinfinitepitytoseethisyoungman,whohadbeenborntogladnessasanassuredheritage,nowinvolvedinamistybewildermentofgrievousthoughts,amidwhichheseemedtogostaggeringblindfold。Kenyon,notwithoutanunshapedsuspicionofthedefinitefact,knewthathisconditionmusthaveresultedfromtheweightandgloomoflife,nowfirst,throughtheagencyofasecrettrouble,makingthemselvesfeltonacharacterthathadheretoforebreathedonlyanatmosphereofjoy。Theeffectofthishardlesson,uponDonatello\'sintellectanddisposition,wasverystriking。Itwasperceptiblethathehadalreadyhadglimpsesofstrangeandsubtlemattersinthosedarkcaverns,intowhichallmenmustdescend,iftheywouldknowanythingbeneaththesurfaceandillusivepleasuresofexistence。Andwhentheyemerge,thoughdazzledandblindedbythefirstglareofdaylight,theytaketruerandsadderviewsoflifeforeverafterwards。
Fromsomemysterioussource,asthesculptorfeltassured,asoulhadbeeninspiredintotheyoungCount\'ssimplicity,sincetheirintercourseinRome。Henowshowedafardeepersense,andanintelligencethatbegantodealwithhighsubjects,thoughinafeebleandchildishway。Heevinced,too,amoredefiniteandnoblerindividuality,butdevelopedoutofgriefandpain,andfearfullyconsciousofthepangsthathadgivenitbirth。Everyhumanlife,ifitascendstotruthordelvesdowntoreality,mustundergoasimilarchange;butsometimes,perhaps,theinstructioncomeswithoutthesorrow;andoftenerthesorrowteachesnolessonthatabideswithus。
InDonatello\'scase,itwaspitiful,andalmostludicrous,toobservetheconfusedstrugglethathemade;howcompletelyhewastakenbysurprise;howill-preparedhestood,onthisoldbattlefieldoftheworld,tofightwithsuchaninevitablefoeasmortalcalamity,andsinforitsstrongerally。
"Andyet,"thoughtKenyon,"thepoorfellowbearshimselflikeahero,too!Ifhewouldonlytellmehistrouble,orgivemeanopeningtospeakfranklyaboutit,Imighthelphim;buthefindsittoohorribletobeuttered,andfancieshimselftheonlymortalthateverfelttheanguishofremorse。Yes;hebelievesthatnobodyeverenduredhisagonybefore;sothat——sharpenoughinitself——ithasalltheadditionalzestofatorturejustinventedtoplaguehimindividually。"
Thesculptorendeavoredtodismissthepainfulsubjectfromhismind;
and,leaningagainstthebattlements,heturnedhisfacesouthwardandwestward,andgazedacrossthebreadthofthevalley。Histhoughtsflewfarbeyondeventhosewideboundaries,takinganair-linefromDonatello\'stowertoanotherturretthatascendedintotheskyofthesummerafternoon,invisiblytohim,abovetheroofsofdistantRome。
ThenrosetumultuouslyintohisconsciousnessthatstrongloveforHilda,whichitwashishabittoconfineinoneoftheheart\'sinnerchambers,becausehehadfoundnoencouragementtobringitforward。
Butnowhefeltastrangepullathisheart-strings。Itcouldnothavebeenmoreperceptible,ifallthewaybetweenthesebattlementsandHilda\'sdove-cotehadstretchedanexquisitelysensitivecord,which,atthehitherend,wasknottedwithhisaforesaidheart-strings,and,attheremoterone,wasgraspedbyagentlehand。Hisbreathgrewtremulous。Heputhishandtohisbreast;sodistinctlydidheseemtofeelthatcorddrawnonce,andagain,andagain,asif——thoughstillitwasbashfullyintimatedtherewereanimportunatedemandforhispresence。OforthewhitewingsofHilda\'sdoves,thathemight,haveflownthither,andalightedattheVirgin\'sshrine!
Butlovers,andKenyonknewitwell,projectsolifelikeacopyoftheirmistressesoutoftheirownimaginations,thatitcanpullattheheartstringsalmostasperceptiblyasthegenuineoriginal。Noairyintimationsaretobetrusted;noevidencesofresponsiveaffectionlesspositivethanwhisperedandbrokenwords,ortenderpressuresofthehand,allowedandhalfreturned;orglances,thatdistilmanypassionateavowalsintoonegleamofrichlycoloredlight。
Eventheseshouldbeweighedrigorously,attheinstant;for,inanotherinstant,theimaginationseizesonthemasitsproperty,andstampsthemwithitsownarbitraryvalue。ButHilda\'smaidenlyreservehadgivenherlovernosuchtokens,tobeinterpretedeitherbyhishopesorfears。
"Yonder,overmountainandvalley,liesRome,"saidthesculptor;
"shallyoureturnthitherintheautumn?"
"Never!IhateRome,"answeredDonatello;"andhavegoodcause。"
"Andyetitwasapleasantwinterthatwespentthere,"observedKenyon,"andwithpleasantfriendsaboutus。Youwouldmeetthemagainthere——allofthem。"
"All?"askedDonatello。
"All,tothebestofmybelief,"saidthesculptor:"butyouneednotgotoRometoseekthem。Iftherewereoneofthosefriendswhoselifetimewastwistedwithyourown,Iamenoughofafatalisttofeelassuredthatyouwillmeetthatoneagain,wanderwhitheryoumay。
NeithercanweescapethecompanionswhomProvidenceassignsforus,byclimbinganoldtowerlikethis。"
"Yetthestairsaresteepanddark,"rejoinedtheCount;"nonebutyourselfwouldseekmehere,orfindme,iftheysought。"
AsDonatellodidnottakeadvantageofthisopeningwhichhisfriendhadkindlyaffordedhimtopourouthishiddentroubles,thelatteragainthrewasidethesubject,andreturnedtotheenjoymentofthescenebeforehim。Thethunder-storm,whichhehadbeheldstridingacrossthevalley,hadpassedtotheleftofMonteBeni,andwascontinuingitsmarchtowardsthehillsthatformedtheboundaryontheeastward。Abovethewholevalley,indeed,theskywasheavywithtumblingvapors,interspersedwithwhichweretractsofblue,vividlybrightenedbythesun;but,intheeast,wherethetempestwasyettrailingitsraggedskirts,layaduskyregionofcloudandsullenmist,inwhichsomeofthehillsappearedofadarkpurplehue。
Othersbecamesoindistinct,thatthespectatorcouldnottellrockyheightfromimpalpablecloud。Farintothismistycloudregion,however,——withinthedomainofchaos,asitwere,——hilltopswereseenbrighteninginthesunshine;theylookedlikefragmentsoftheworld,brokenadriftandbasedonnothingness,orlikeportionsofaspheredestinedtoexist,butnotyetfinallycompacted。
Thesculptor,habituallydrawingmanyoftheimagesandillustrationsofhisthoughtsfromtheplasticart,fanciedthatthescenerepresentedtheprocessoftheCreator,whenheheldthenew,imperfectearthinhishand,andmodelledit。
"Whatamagicisinmistandvaporamongthemountains!"heexclaimed。
"Withtheirhelp,onesinglescenebecomesathousand。Thecloudscenerygivessuchvarietytoahillylandscapethatitwouldbeworthwhiletojournalizeitsaspectfromhourtohour。Acloud,however,——asIhavemyselfexperienced,——isapttogrowsolidandasheavyasastonetheinstantthatyoutakeinhandtodescribeit,But,inmyownheart,Ihavefoundgreatuseinclouds。Suchsilveryonesasthosetothenorthward,forexample,haveoftensuggestedsculpturesquegroups,figures,andattitudes;theyareespeciallyrichinattitudesoflivingrepose,whichasculptoronlyhitsuponbytherarestgoodfortune。WhenIgobacktomydearnativeland,thecloudsalongthehorizonwillbemyonlygalleryofart!"
"Icanseecloudshapes,too,"saidDonatello;"yonderisonethatshiftsstrangely;ithasbeenlikepeoplewhomIknew。Andnow,ifI
watchitalittlelonger,itwilltakethefigureofamonkreclining,withhiscowlabouthisheadanddrawnpartlyoverhisface,and——well!
didInottellyouso?"
"Ithink,"remarkedKenyon,"wecanhardlybegazingatthesamecloud。
WhatIbeholdisarecliningfigure,tobesure,butfeminine,andwithadespondentair,wonderfullywellexpressedinthewaveringoutlinefromheadtofoot。Itmovesmyveryheartbysomethingindefinablethatitsuggests。"
"Iseethefigure,andalmosttheface,"saidtheCount;adding,inalowervoice,"ItisMiriam\'s!"
"No,notMiriam\'s,"answeredthesculptor。Whilethetwogazersthusfoundtheirownreminiscencesandpresentimentsfloatingamongtheclouds,thedaydrewtoitsclose,andnowshowedthemthefairspectacleofanItaliansunset。Theskywassoftandbright,butnotsogorgeousasKenyonhadseenit,athousandtimes,inAmerica;fortherethewesternskyiswonttobesetaflamewithbreadthsanddepthsofcolorwithwhichpoetsseekinvaintodyetheirverses,andwhichpaintersneverdaretocopy。AsbeheldfromthetowerofMonteBeni,thescenewastenderlymagnificent,withmildgradationsofhueandalavishoutpouringofgold,butrathersuchgoldasweseeontheleafofabrightflowerthantheburnishedglowofmetalfromthemine。
Or,ifmetallic,itlookedairyandunsubstantial,liketheglorifieddreamsofanalchemist。Andspeedily——morespeedilythaninourownclime——camethetwilight,and,brighteningthroughitsgraytransparency,thestars。
Aswarmofminuteinsectsthathadbeenhoveringalldayroundthebattlementswerenowsweptawaybythefreshnessofarisingbreeze。
ThetwoowlsinthechamberbeneathDonatello\'sutteredtheirsoftmelancholycry,——which,withnationalavoidanceofharshsounds,Italianowlssubstituteforthehootoftheirkindredinothercountries,——andflewdarklingforthamongtheshrubbery。Aconventbellrangoutnearathand,andwasnotonlyechoedamongthehills,butansweredbyanotherbell,andstillanother,whichdoubtlesshadfartherandfartherresponses,atvariousdistancesalongthevalley;
for,liketheEnglishdrumbeataroundtheglobe,thereisachainofconventbellsfromendtoend,andcrosswise,andinallpossibledirectionsoverpriest-riddenItaly。
"Come,"saidthesculptor,"theeveningairgrowscool。Itistimetodescend。"
"Timeforyou,myfriend,"repliedtheCount;andhehesitatedalittlebeforeadding,"Imustkeepavigilhereforsomehourslonger。
Itismyfrequentcustomtokeepvigils,——andsometimesthethoughtoccurstomewhetheritwerenotbettertokeeptheminyonderconvent,thebellofwhichjustnowseemedtosummonme。ShouldIdowisely,doyouthink,toexchangethisoldtowerforacell?"
"What!Turnmonk?"exclaimedhisfriend。"Ahorribleidea!"
"True,"saidDonatello,sighing。"Therefore,ifatall,Ipurposedoingit。"
"Thenthinkofitnomore,forHeaven\'ssake!"criedthesculptor。
"Thereareathousandbetterandmorepoignantmethodsofbeingmiserablethanthat,iftobemiserableiswhatyouwish。Nay;I
questionwhetheramonkkeepshimselfuptotheintellectualandspiritualheightwhichmiseryimplies。AmonkIjudgefromtheirsensualphysiognomies,whichmeetmeateveryturn——isinevitablyabeast!Theirsouls,iftheyhaveanytobeginwith,perishoutofthem,beforetheirsluggish,swinishexistenceishalfdone。Better,amilliontimes,tostandstar-gazingontheseairybattlements,thantosmotheryournewgermofahigherlifeinamonkishcell!"
"Youmakemetremble,"saidDonatello,"byyourboldaspersionofmenwhohavedevotedthemselvestoGod\'sservice!"
"TheyserveneitherGodnorman,andthemselvesleastofall,thoughtheirmotivesbeutterlyselfish,"repliedKenyon。"Avoidtheconvent,mydearfriend,asyouwouldshunthedeathofthesoul!But,formyownpart,ifIhadaninsupportableburden,——if,foranycause,Iwerebentuponsacrificingeveryearthlyhopeasapeace-offeringtowardsHeaven,——Iwouldmakethewideworldmycell,andgooddeedstomankindmyprayer。Manypenitentmenhavedonethis,andfoundpeaceinit。"
"Ah,butyouareaheretic!"saidtheCount。
Yethisfacebrightenedbeneaththestars;and,lookingatitthroughthetwilight,thesculptor\'sremembrancewentbacktothatsceneintheCapitol,where,bothinfeaturesandexpression,DonatellohadseemedidenticalwiththeFaun。Andstilltherewasaresemblance;
fornow,whenfirsttheideawassuggestedoflivingforthewelfareofhisfellow-creatures,theoriginalbeauty,whichsorrowhadpartlyeffaced,camebackelevatedandspiritualized。IntheblackdepthstheFaunhadfoundasoul,andwasstrugglingwithittowardsthelightofheaven。
Theillumination,itistrue,soonfadedoutofDonatello\'sface。Theideaoflifelongandunselfisheffortwastoohightobereceivedbyhimwithmorethanamomentarycomprehension。AnItalian,indeed,seldomdreamsofbeingphilanthropic,exceptinbestowingalmsamongthepaupers,whoappealtohisbeneficenceateverystep;nordoesitoccurtohimthattherearefittermodesofpropitiatingHeaventhanbypenances,pilgrimages,andofferingsatshrines。Perhaps,too,theirsystemhasitsshareofmoraladvantages;they,atallevents,cannotwellpridethemselves,asourownmoreenergeticbenevolenceisapttodo,uponsharinginthecounselsofProvidenceandkindlyhelpingoutitsotherwiseimpracticabledesigns。
Andnowthebroadvalleytwinkledwithlights,thatglimmeredthroughitsduskinesslikethefirefliesinthegardenofaFlorentinepalace。
Agleamoflightningfromtherearofthetempestshowedthecircumferenceofhillsandthegreatspacebetween,asthelastcannonflashofaretreatingarmyreddensacrossthefieldwhereithasfought。Thesculptorwasonthepointofdescendingtheturretstair,when,somewhereinthedarknessthatlaybeneaththem,awoman\'svoicewasheard,singingalow,sadstrain。
"Hark!"saidhe,layinghishandonDonatello\'sarm。
AndDonatellohadsaid"Hark!"atthesameinstant。
Thesong,ifsongitcouldbecalled,thathadonlyawildrhythm,andflowedforthinthefitfulmeasureofawind-harp,didnotclotheitselfinthesharpbrilliancyoftheItaliantongue。Thewords,sofarastheycouldbedistinguished,wereGerman,andthereforeunintelligibletotheCount,andhardlylesssotothesculptor;beingsoftenedandmolten,asitwere,intothemelancholyrichnessofthevoicethatsungthem。Itwasasthemurmurofasoulbewilderedamidthesinfulgloomofearth,andretainingonlyenoughmemoryofabetterstatetomakesadmusicofthewail,whichwouldelsehavebeenadespairingshriek。Neverwasthereprofounderpathosthanbreathedthroughthatmysteriousvoice;itbroughtthetearsintothesculptor\'seyes,withremembrancesandforebodingsofwhateversorrowhehadfeltorapprehended;itmadeDonatellosob,aschiminginwiththeanguishthathefoundunutterable,andgivingittheexpressionwhichhevaguelysought。
But,whentheemotionwasatitsprofoundestdepth,thevoiceroseoutofit,yetsograduallythatagloomseemedtopervadeit,farupwardfromtheabyss,andnotentirelytofallawayasitascendedintoahigherandpurerregion。Atlast,theauditorswouldhavefanciedthatthemelody,withitsrichsweetnessallthere,andmuchofitssorrowgone,wasfloatingaroundtheverysummitofthetower。
"Donatello,"saidthesculptor,whentherewassilenceagain,"hadthatvoicenomessageforyourear?"
"Idarenotreceiveit,"saidDonatello;"theanguishofwhichitspokeabideswithme:thehopediesawaywiththebreaththatbroughtithither。Itisnotgoodformetohearthatvoice。"
Thesculptorsighed,andleftthepoorpenitentkeepinghisvigilonthetower。
CHAPTERXXX
DONATELLO\'SBUST
Kenyon,itwillberemembered,hadaskedDonatello\'spermissiontomodelhisbust。Theworkhadnowmadeconsiderableprogress,andnecessarilykeptthesculptor\'sthoughtsbroodingmuchandoftenuponhishost\'spersonalcharacteristics。Theseitwashisdifficultofficetobringoutfromtheirdepths,andinterpretthemtoallmen,showingthemwhattheycouldnotdiscernforthemselves,yetmustbecompelledtorecognizeataglance,onthesurfaceofablockofmarble。
Hehadneverundertakenaportrait-bustwhichgavehimsomuchtroubleasDonatello\'s;notthattherewasanyspecialdifficultyinhittingthelikeness,thougheveninthisrespectthegraceandharmonyofthefeaturesseemedinconsistentwithaprominentexpressionofindividuality;buthewaschieflyperplexedhowtomakethisgenialandkindtypeofcountenancetheindexofthemindwithin。Hisacutenessandhissympathies,indeed,werebothsomewhatatfaultintheireffortstoenlightenhimastothemoralphasethroughwhichtheCountwasnowpassing。Ifatonesittinghecaughtaglimpseofwhatappearedtobeagenuineandpermanenttrait,itwouldprobablybelessperceptibleonasecondoccasion,andperhapshavevanishedentirelyatathird。Soevanescentashowofcharacterthrewthesculptorintodespair;notmarbleorclay,butcloudandvapor,wasthematerialinwhichitoughttoberepresented。EventheponderousdepressionwhichconstantlyweigheduponDonatello\'sheartcouldnotcompelhimintothekindofreposewhichtheplasticartrequires。
Hopelessofagoodresult,Kenyongaveupallpreconceptionsaboutthecharacterofhissubject,andlethishandsworkuncontrolledwiththeclay,somewhatasaspiritualmedium,whileholdingapen,yieldsittoanunseenguidanceotherthanthatofherownwill。Nowandthenhefanciedthatthisplanwasdestinedtobethesuccessfulone。A
skillandinsightbeyondhisconsciousnessseemedoccasionallytotakeupthetask。Themystery,themiracle,ofimbuinganinanimatesubstancewiththought,feeling,andalltheintangibleattributesofthesoul,appearedonthevergeofbeingwrought。Andnow,asheflatteredhimself,thetrueimageofhisfriendwasabouttoemergefromthefacilematerial,bringingwithitmoreofDonatello\'scharacterthanthekeenestobservercoulddetectatanyonemomentinthefaceoftheoriginalVainexpectation!——sometouch,wherebytheartistthoughttoimproveorhastentheresult,interferedwiththedesignofhisunseenspiritualassistant,andspoiltthewhole。Therewasstillthemoist,brownclay,indeed,andthefeaturesofDonatello,butwithoutanysemblanceofintelligentandsympatheticlife。
"Thedifficultywilldrivememad,Iverilybelieve!"criedthesculptornervously。"Lookatthewretchedpieceofworkyourself,mydearfriend,andtellmewhetheryourecognizeanymanneroflikenesstoyourinnerman?"
"None,"repliedDonatello,speakingthesimpletruth。"Itislikelookingastrangerintheface。"
Thisfranklyunfavorabletestimonysowroughtwiththesensitiveartist,thathefellintoapassionwiththestubbornimage,andcarednotwhatmighthappentoitthenceforward。Wieldingthatwonderfulpowerwhichsculptorspossessovermoistclay,howeverrefractoryitmayshowitselfincertainrespects,hecompressed,elongated,widened,andotherwisealteredthefeaturesofthebustinmererecklessness,andateverychangeinquiredoftheCountwhethertheexpressionbecameanywisemoresatisfactory。
"Stop!"criedDonatelloatlast,catchingthesculptor\'shand。"Letitremainso!"Bysomeaccidentalhandlingoftheclay,entirelyindependentofhisownwill,Kenyonhadgiventhecountenanceadistortedandviolentlook,combininganimalfiercenesswithintelligenthatred。HadHilda,orhadMiriam,seenthebust,withtheexpressionwhichithadnowassumed,theymighthaverecognizedDonatello\'sfaceastheybehelditatthatterriblemomentwhenheheldhisvictimovertheedgeoftheprecipice。
"WhathaveIdone?"saidthesculptor,shockedathisowncasualproduction。"Itwereasintolettheclaywhichbearsyourfeatureshardenintoalooklikethat。Cainneverworeanuglierone。"
"Forthatveryreason,letitremain!"answeredtheCount,whohadgrownpaleasashesattheaspectofhiscrime,thusstrangelypresentedtohiminanotherofthemanyguisesunderwhichguiltstaresthecriminalintheface。"Donotalterit!Chiselit,rather,ineternalmarble!Iwillsetitupinmyoratoryandkeepitcontinuallybeforemyeyes。Sadderandmorehorribleisafacelikethis,alivewithmyowncrime,thanthedeadskullwhichmyforefathershandeddowntome!"
But,withoutintheleastheedingDonatello\'sremonstrances,thesculptoragainappliedhisartfulfingerstotheclay,andcompelledthebusttodismisstheexpressionthathadsostartledthemboth。
"Believeme,"saidhe,turninghiseyesuponhisfriend,fullofgraveandtendersympathy,"youknownotwhatisrequisiteforyourspiritualgrowth,seeking,asyoudo,tokeepyoursoulperpetuallyintheunwholesomeregionofremorse。Itwasneedfulforyoutopassthroughthatdarkvalley,butitisinfinitelydangeroustolingertheretoolong;thereispoisonintheatmosphere,whenwesitdownandbroodinit,insteadofgirdingupourloinstopressonward。Notdespondency,notslothfulanguish,iswhatyounowrequire,——buteffort!Hastherebeenanunalterableevilinyouryounglife?Thencrowditoutwithgood,oritwillliecorruptingthereforever,andcauseyourcapacityforbetterthingstopartakeitsnoisomecorruption!"
"Youstirupmanythoughts,"saidDonatello,pressinghishanduponhisbrow,"butthemultitudeandthewhirlofthemmakemedizzy。"
Theynowleftthesculptor\'stemporarystudio,withoutobservingthathislastaccidentaltouches,withwhichhehurriedlyeffacedthelookofdeadlyrage,hadgiventhebustahigherandsweeterexpressionthanithadhithertoworn。ItistoberegrettedthatKenyonhadnotseenit;foronlyanartist,perhaps,canconceivetheirksomeness,theirritationofbrain,thedepressionofspirits,thatresultedfromhisfailuretosatisfyhimself,aftersomuchtoilandthoughtashehadbestowedonDonatello\'sbust。Incaseofsuccess,indeed,allthisthoughtfultoilwouldhavebeenreckoned,notonlyaswellbestowed,butasamongthehappiesthoursofhislife;whereas,deeminghimselftohavefailed,itwasjustsomuchoflifethathadbetterneverhavebeenlived;forthusdoesthegoodorillresultofhislaborthrowbacksunshineorgloomupontheartist\'smind。Thesculptor,therefore,wouldhavedonewelltoglanceagainathiswork;
forherewerestillthefeaturesoftheantiqueFaun,butnowilluminatedwithahighermeaning,suchastheoldmarbleneverbore。
Donatellohavingquittedhim,KenyonspenttherestofthedaystrollingaboutthepleasantprecinctsofMonteBeni,wherethesummerwasnowsofaradvancedthatitbegan,indeed,topartakeoftheripewealthofautumn。Apricotshadlongbeenabundant,andhadpassedaway,andplumsandcherriesalongwiththem。Butnowcamegreat,juicypears,meltinganddelicious,andpeachesofgoodlysizeandtemptingaspect,thoughcoldandwaterytothepalate,comparedwiththesculptor\'srichreminiscencesofthatfruitinAmerica。Thepurplefigshadalreadyenjoyedtheirday,andthewhiteoneswerelusciousnow。Thecontadini(who,bythistime,knewKenyonwell)
foundmanyclustersofripegrapesforhim,ineverylittleglobeofwhichwasincludedafragrantdraughtofthesunnyMonteBeniwine。
Unexpectedly,inanookclosebythefarmhouse,hehappeneduponaspotwherethevintagehadactuallycommenced。Agreatheapofearlyripenedgrapeshadbeengathered,andthrownintoamightytub。Inthemiddleofitstoodalustyandjollycontadino,norstood,merely,butstampedwithallhismight,anddancedamain;whiletheredjuicebathedhisfeet,andthrewitsfoammidwayuphisbrownandshaggylegs。Here,then,wastheveryprocessthatshowssopicturesquelyinScriptureandinpoetry,oftreadingoutthewine-pressanddyeingthefeetandgarmentswiththecrimsoneffusionaswiththebloodofabattlefield。ThememoryoftheprocessdoesnotmaketheTuscanwinetastemoredeliciously。ThecontadinihospitablyofferedKenyonasampleofthenewliquor,thathadalreadystoodfermentingforadayortwo。Hehadtriedasimilardraught,however,inyearspast,andwaslittleinclinedtomakeproofofitagain;forheknewthatitwouldbeasourandbitterjuice,awineofwoeandtribulation,andthatthemoreamandrinksofsuchliquor,thesorrierheislikelytobe。
ThesceneremindedthesculptorofourNewEnglandvintages,wherethebigpilesofgoldenandrosyappleslieundertheorchardtrees,inthemild,autumnalsunshine;andthecreakingcider-mill,setinmotionbyacircumgyratoryhorse,isalla-gushwiththelusciousjuice。Tospeakfrankly,thecider-makingisthemorepicturesquesightofthetwo,andthenew,sweetcideraninfinitelybetterdrinkthantheordinary,unripeTuscanwine。Suchasitis,however,thelatterfillsthousandsuponthousandsofsmall,flatbarrels,and,stillgrowingthinnerandsharper,losesthelittlelifeithad,aswine,andbecomesapotheosizedasamorepraiseworthyvinegar。
Yetallthesevineyardscenes,andtheprocessesconnectedwiththecultureofthegrape,hadaflavorofpoetryaboutthem。Thetoilthatproducesthosekindlygiftsofnaturewhicharenotthesubstanceoflife,butitsluxury,isunlikeothertoil。Weareinclinedtofancythatitdoesnotbendthesturdyframeandstiffentheoverwroughtmuscles,likethelaborthatisdevotedinsad,hardearnesttoraisegrainforsourbread。Certainly,thesunburntyoungmenanddark-cheeked,laughinggirls,whoweededtherichacresofMonteBeni,mightwellenoughhavepassedforinhabitantsofanunsophisticatedArcadia。Laterintheseason,whenthetruevintagetimeshouldcome,andthewineofSunshinegushintothevats,itwashardlytoowildadreamthatBacchushimselfmightrevisitthehauntswhichhelovedofold。But,alas!wherenowwouldhefindtheFaunwithwhomweseehimconsortinginsomanyanantiquegroup?
Donatello\'sremorsefulanguishsaddenedthisprimitiveanddelightfullife。Kenyonhadapainofhisown,moreover,althoughnotallapain,intheneverquiet,neversatisfiedyearningofhishearttowardsHilda。Hewasauthorizedtouselittlefreedomtowardsthatshymaiden,eveninhisvisions;sothathealmostreproachedhimselfwhensometimeshisimaginationpicturedindetailthesweetyearsthattheymightspendtogether,inaretreatlikethis。IthadjustthatrarestqualityofremotenessfromtheactualandordinaryworldBaremotenessthroughwhichalldelightsmightvisitthemfreely,siftedfromalltroubles——whichloverssoreasonablyinsistupon,intheiridealarrangementsforahappyunion。Itispossible,indeed,thatevenDonatello\'sgriefandKenyon\'spale,sunlessaffectionlentacharmtoMonteBeni,whichitwouldnothaveretainedamidamoreabundantjoyousness。Thesculptorstrayedamiditsvineyardsandorchards,itsdellsandtangledshrubberies,withsomewhatthesensationsofanadventurerwhoshouldfindhiswaytothesiteofancientEden,andbeholditslovelinessthroughthetransparencyofthatgloomwhichhasbeenbroodingoverthosehauntsofinnocenceeversincethefall。Adamsawitinabrightersunshine,butneverknewtheshadeofPensivebeautywhichEdenwonfromhisexpulsion。
ItwasinthedeclineoftheafternoonthatKenyonreturnedfromhislong,musingramble,OldTomaso——betweenwhomandhimselfforsometimepasttherehadbeenamysteriousunderstanding,——methimintheentrancehall,anddrewhimalittleaside。
"Thesignorinawouldspeakwithyou,"hewhispered。
"Inthechapel?"askedthesculptor。
"No;inthesaloonbeyondit,"answeredthebutler:"theentranceyouoncesawthesignorinaappearthroughitisnearthealtar,hiddenbehindthetapestry。"
Kenyonlostnotimeinobeyingthesummons。
CHAPTERXXXI
THEMARBLESALOON
InanoldTuscanvilla,achapelordinarilymakesoneamongthenumerousapartments;thoughitoftenhappensthatthedoorispermanentlyclosed,thekeylost,andtheplacelefttoitself,industysanctity,likethatchamberinman\'sheartwherehehideshisreligiousawe。ThiswasverymuchthecasewiththechapelofMonteBeni。Onerainyday,however,inhiswanderingsthroughthegreat,intricatehouse,Kenyonhadunexpectedlyfoundhiswayintoit,andbeenimpressedbyitssolemnaspect。Thearchedwindows,highupwardinthewall,anddarkenedwithdustandcobweb,threwdownadimlightthatshowedthealtar,withapictureofamartyrdomabove,andsometalltapersrangedbeforeit。Theyhadapparentlybeenlighted,andburnedanhourortwo,andbeenextinguishedperhapshalfacenturybefore。Themarblevaseattheentranceheldsomehardenedmudatthebottom,accruingfromthedustthathadsettledinitduringthegradualevaporationoftheholywater;andaspider(beinganinsectthatdelightsinpointingthemoralofdesolationandneglect)hadtakenpainstoweaveaprodigiouslythicktissueacrossthecircularbrim。Anoldfamilybanner,tatteredbythemoths,droopedfromthevaultedroof。InnichesthereweresomemediaevalbustsofDonatello\'sforgottenancestry;andamongthem,itmightbe,theforlornvisageofthathaplessknightbetweenwhomandthefountain-nymphhadoccurredsuchtenderlovepassages。
ThroughoutallthejovialprosperityofMonteBeni,thisonespotwithinthedomesticwallshadkeptitselfsilent,stern,andsad。
Whentheindividualorthefamilyretiredfromsongandmirth,theyheresoughtthoserealitieswhichmendonotinvitetheirfestiveassociatestoshare。Andhere,ontheoccasionabovereferredto,thesculptorhaddiscovered——accidentally,sofarashewasconcerned,thoughwithapurposeonherpart——thattherewasaguestunderDonatello\'sroof,whosepresencetheCountdidnotsuspect。Aninterviewhadsincetakenplace,andhewasnowsummonedtoanother。
Hecrossedthechapel,incompliancewithTomaso\'sinstructions,and,passingthroughthesideentrance,foundhimselfinasaloon,ofnogreatsize,butmoremagnificentthanhehadsupposedthevillatocontain。Asitwasvacant,Kenyonhadleisuretopaceitonceortwice,andexamineitwithacarelesssortofscrutiny,beforeanypersonappeared。
Thisbeautifulhallwasflooredwithrichmarbles,inartisticallyarrangedfiguresandcompartments。Thewalls,likewise,werealmostentirelycasedinmarbleofvariouskinds,theprevalent,varietybeinggialloantico,intermixedwithverd-antique,andothersequallyprecious。Thesplendorofthegialloantico,however,waswhatgavecharactertothesaloon;andthelargeanddeepniches,apparentlyintendedforfulllengthstatues,alongthewalls,werelinedwiththesamecostlymaterial。WithoutvisitingItaly,onecanhavenoideaofthebeautyandmagnificencethatareproducedbythesefittings-upofpolishedmarble。Withoutsuchexperience,indeed,wedonotevenknowwhatmarblemeans,inanysense,saveasthewhitelimestoneofwhichwecarveourmantelpieces。ThisrichhallofMonteBeni,moreover,wasadorned,atitsupperend,withtwopillarsthatseemedtoconsistofOrientalalabaster;andwherevertherewasaspacevacantofpreciousandvariegatedmarble,itwasfrescoedwithornamentsinarabesque。Above,therewasacovedandvaultedceiling,glowingwithpicturedscenes,whichaffectedKenyonwithavaguesenseofsplendor,withouthistwistinghisnecktogazeatthem。
Itisoneofthespecialexcellencesofsuchasaloonofpolishedandrichlycoloredmarble,thatdecaycannevertarnishit。Untilthehousecrumblesdownuponit,itshinesindestructibly,and,withalittledusting,looksjustasbrilliantinitsthreehundredthyearasthedayafterthefinalslabofgialloanticowasfittedintothewall。
Tothesculptor,atthisfirstViewofit,itseemedahallwherethesunwasmagicallyimprisoned,andmustalwaysshine。HeanticipatedMiriam\'sentrance,arrayedinqueenlyrobes,andbeamingwithevenmorethanthesingularbeautythathadheretoforedistinguishedher。
Whilethisthoughtwaspassingthroughhismind,thepillareddoor,attheupperendofthesaloon,waspartlyopened,andMiriamappeared。
Shewasverypale,anddressedindeepmourning。Assheadvancedtowardsthesculptor,thefeeblenessofherstepwassoapparentthathemadehastetomeether,apprehendingthatshemightsinkdownonthemarblefloor,withouttheinstantsupportofhisarm。
But,withagleamofhernaturalself-reliance,shedeclinedhisaid,and,aftertouchinghercoldhandtohis,wentandsatdownononeofthecushioneddivansthatwererangedagainstthewall。
"Youareveryill,Miriam!"saidKenyon,muchshockedatherappearance。"Ihadnotthoughtofthis。"
"No;notsoillasIseemtoyou,"sheanswered;addingdespondently,"yetIamillenough,Ibelieve,todie,unlesssomechangespeedilyoccurs。"
"What,then,isyourdisorder?"askedthesculptor;"andwhattheremedy?"
"Thedisorder!"repeatedMiriam。"ThereisnonethatIknowofsavetoomuchlifeandstrength,withoutapurposeforoneortheother。
Itismytooredundantenergythatisslowly——orperhapsrapidly——wearingmeaway,becauseIcanapplyittonouse。Theobject,whichIamboundtoconsidermyonlyoneonearth,failsmeutterly。ThesacrificewhichIyearntomakeofmyself,myhopes,myeverything,iscoldlyputaside。Nothingisleftformebuttobrood,brood,brood,allday,allnight,inunprofitablelongingsandrepinings。"
"Thisisverysad,Miriam,"saidKenyon。
"Ay,indeed;Ifancyso,"shereplied,withashort,unnaturallaugh。
"Withallyouractivityofmind,"resumedhe,"sofertileinplansasIhaveknownyou,canyouimaginenomethodofbringingyourresourcesintoplay?"
"Mymindisnotactiveanylonger,"answeredMiriam,inacold,indifferenttone。"Itdealswithonethoughtandnomore。Onerecollectionparalyzesit。Itisnotremorse;donotthinkit!Iputmyselfoutofthequestion,andfeelneitherregretnorpenitenceonmyownbehalf。Butwhatbenumbsme,whatrobsmeofallpower,-itisnosecretforawomantotellaman,yetIcarenotthoughyouknowit,——isthecertaintythatIam,andmusteverbe,anobjectofhorrorinDonatello\'ssight。"
Thesculptor——ayoungman,andcherishingalovewhichinsulatedhimfromthewildexperienceswhichsomemengather——wasstartledtoperceivehowMiriam\'srich,ill-regulatednatureimpelledhertoflingherself,conscienceandall,ononepassion,theobjectofwhichintellectuallyseemedfarbeneathher。
"Howhaveyouobtainedthecertaintyofwhichyouspeak?"askedhe,afterapause。
"O,byasuretoken,"saidMiriam;"agesture,merely;ashudder,acoldshiver,thatranthroughhimonesunnymorningwhenhishandhappenedtotouchmine!Butitwasenough。"
"Ifirmlybelieve,Miriam,"saidthesculptor,"thathelovesyoustill。"
Shestarted,andaflushofcolorcametremulouslyoverthepalenessofhercheek。
"Yes,"repeatedKenyon,"ifmyinterestinDonatello——andinyourself,Miriam——endowsmewithanytrueinsight,henotonlylovesyoustill,butwithaforceanddepthproportionedtothestrongergraspofhisfaculties,intheirnewdevelopment。"
"Donotdeceiveme,"saidMiriam,growingpaleagain。
"Notfortheworld!"repliedKenyon。"HereiswhatItaketobethetruth。Therewasaninterval,nodoubt,whenthehorrorofsomecalamity,whichIneednotshapeoutinmyconjectures,threwDonatellointoastuporofmisery。Connectedwiththefirstshocktherewasanintolerablepainandshudderingrepugnanceattachingthemselvestoallthecircumstancesandsurroundingsoftheeventthatsoterriblyaffectedhim。Washisdearestfriendinvolvedwithinthehorrorofthatmoment?Hewouldshrinkfromherasheshrankmostofallfromhimself。Butashismindrouseditself,——asitrosetoahigherlifethanhehadhithertoexperienced,——whateverhadbeentrueandpermanentwithinhimrevivedbytheselfsameimpulse。Sohasitbeenwithhislove。"
"But,surely,"saidMiriam,"heknowsthatIamhere!Why,then,exceptthatIamodioustohim,doeshenotbidmewelcome?"
"Heis,Ibelieve,awareofyourpresencehere,"answeredthesculptor。
"Yoursong,anightortwoago,musthaverevealedittohim,and,intruth,Ihadfanciedthattherewasalreadyaconsciousnessofitinhismind。But,themorepassionatelyhelongsforyoursociety,themorereligiouslyhedeemshimselfboundtoavoidit。TheideaofalifelongpenancehastakenstrongpossessionofDonatello。Hegropesblindlyabouthimforsomemethodofsharpself-torture,andfinds,ofcourse,noothersoefficaciousasthis。"
"Buthelovesme,"repeatedMiriam,inalowvoice,toherself。"Yes;
helovesme!"
Itwasstrangetoobservethewomanlysoftnessthatcameoverher,assheadmittedthatcomfortintoherbosom。Thecold,unnaturalindifferenceofhermanner,akindoffrozenpassionatenesswhichhadshockedandchilledthesculptor,disappeared。Sheblushed,andturnedawayhereyes,knowingthattherewasmoresurpriseandjoyintheirdewyglancesthananymansaveoneoughttodetectthere。
"Inotherrespects,"sheinquiredatlength,"ishemuchchanged?"
"AwonderfulprocessisgoingforwardinDonatello\'smind,"answeredthesculptor。"Thegermsoffacultiesthathaveheretoforesleptarefastspringingintoactivity。Theworldofthoughtisdisclosingitselftohisinwardsight。Hestartlesme,attimes,withhisperceptionofdeeptruths;and,quiteasoften,itmustbeowned,hecompelsmetosmilebytheintermixtureofhisformersimplicitywithanewintelligence。Butheisbewilderedwiththerevelationsthateachdaybrings。Outofhisbitteragony,asoulandintellect,I
couldalmostsay,havebeeninspiredintohim。"
"Ah,Icouldhelphimhere!"criedMiriam,claspingherhands。"Andhowsweetatoiltobendandadaptmywholenaturetodohimgood!Toinstruct,toelevate,toenrichhismindwiththewealththatwouldflowinuponme,hadIsuchamotiveforacquiringit!Whoelsecanperformthetask?Whoelsehasthetendersympathywhichherequires?
Whoelse,saveonlyme,——awoman,asharerinthesamedreadsecret,apartakerinoneidenticalguilt,——couldmeethimonsuchtermsofintimateequalityasthecasedemands?Withthisobjectbeforeme,I
mightfeelarighttolive!Withoutit,itisashameformetohavelivedsolong。"
"Ifullyagreewithyou,"saidKenyon,"thatyourtrueplaceisbyhisside。"
"Surelyitis,"repliedMiriam。"IfDonatelloisentitledtoaughtonearth,itistomycompleteself-sacrificeforhissake。Itdoesnotweakenhisclaim,methinks,thatmyonlyprospectofhappinessafearfulword,howeverliesinthegoodthatmayaccruetohimfromourintercourse。Butherejectsme!Hewillnotlistentothewhisperofhisheart,tellinghimthatshe,mostwretched,whobeguiledhimintoevil,mightguidehimtoahigherinnocencethanthatfromwhichhefell。Howisthisfirstgreatdifficultytobeobviated?"
"Itliesatyourownoption,Miriam,todoawaytheobstacle,atanymoment,"remarkedthesculptor。"ItisbuttoascendDonatello\'stower,andyouwillmeethimthere,undertheeyeofGod。"
"Idarenot,"answeredMiriam。"No;Idarenot!"
"Doyoufear,"askedthesculptor,"thedreadeye-witnesswhomIhavenamed?"
"No;for,asfarasIcanseeintothatcloudyandinscrutablething,myheart,ithasnonebutpuremotives,"repliedMiriam。"But,myfriend,youlittleknowwhataweakorwhatastrongcreatureawomanis!IfearnotHeaven,inthiscase,atleast,but——shallIconfessit?IamgreatlyindreadofDonatello。Onceheshudderedatmytouch。Ifheshudderonceagain,orfrown,Idie!"
Kenyoncouldnotbutmarvelatthesubjectionintowhichthisproudandself-dependentwomanhadwillfullyflungherself,hangingherlifeuponthechanceofanangryorfavorableregardfromapersonwho,alittlewhilebefore,hadseemedtheplaythingofamoment。But,inMiriam\'seyes,Donatellowasalways,thenceforth,investedwiththetragicdignityoftheirhourofcrime;and,furthermore,thekeenanddeepinsight,withwhichherloveendowedher,enabledhertoknowhimfarbetterthanhecouldbeknownbyordinaryobservation。Beyondallquestion,sinceshelovedhimso,therewasaforceinDonatelloworthyofherrespectandlove。
"Youseemyweakness,"saidMiriam,flingingoutherhands,asapersondoeswhenadefectisacknowledged,andbeyondremedy。"WhatI
need,now,isanopportunitytoshowmystrength。"
"Ithasoccurredtome,"Kenyonremarked,"thatthetimeiscomewhenitmaybedesirabletoremoveDonatellofromthecompleteseclusioninwhichheburieshimself。Hehasstruggledlongenoughwithoneidea。
Henowneedsavarietyofthought,whichcannotbeotherwisesoreadilysuppliedtohim,asthroughthemediumofavarietyofscenes。
Hismindisawakened,now;hisheart,thoughfullofpain,isnolongerbenumbed。Theyshouldhavefoodandsolace。Ifhelingerheremuchlonger,Ifearthathemaysinkbackintoalethargy。Theextremeexcitability,whichcircumstanceshaveimpartedtohismoralsystem,hasitsdangersanditsadvantages;itbeingoneofthedangers,thatanobduratescarmaysuperveneuponitsverytenderness。
Solitudehasdonewhatitcouldforhim;now,forawhile,lethimbeenticedintotheouterworld。"
"Whatisyourplan,then?"askedMiriam。
"Simply,"repliedKenyon,"topersuadeDonatellotobemycompanioninarambleamongthesehillsandvalleys。Thelittleadventuresandvicissitudesoftravelwilldohiminfinitegood。Afterhisrecentprofoundexperience,hewillre-createtheworldbytheneweyeswithwhichhewillregardit。Hewillescape,Ihope,outofamorbidlife,andfindhiswayintoahealthyone。"
"Andwhatistobemypartinthisprocess?"inquiredMiriamsadly,andnotwithoutjealousy。"Youaretakinghimfromme,andputtingyourself,andallmanneroflivinginterests,intotheplacewhichI
oughttofill!"
"Itwouldrejoiceme,Miriam,toyieldtheentireresponsibilityofthisofficetoyourself,"answeredthesculptor。"IdonotpretendtobetheguideandcounsellorwhomDonatelloneeds;for,tomentionnootherobstacle,Iamaman,andbetweenmanandmanthereisalwaysaninsuperablegulf。Theycanneverquitegraspeachother\'shands;andthereforemanneverderivesanyintimatehelp,anyheartsustenance,fromhisbrotherman,butfromwoman——hismother,hissister,orhiswife。BeDonatello\'sfriendatneed,therefore,andmostgladlywillIresignhim!"
"Itisnotkindtotauntmethus,"saidMiriam。"IhavetoldyouthatIcannotdowhatyousuggest,becauseIdarenot。"
"Well,then,"rejoinedthesculptor,"seeifthereisanypossibilityofadaptingyourselftomyscheme。Theincidentsofajourneyoftenflingpeopletogetherintheoddestandthereforethemostnaturalway。
Supposingyouweretofindyourselfonthesameroute,areunionwithDonatellomightensue,andProvidencehavealargerhandinitthaneitherofus。"
"Itisnotahopefulplan,"saidMiriam,shakingherhead,afteramoment\'sthought;"yetIwillnotrejectitwithoutatrial。Onlyincaseitfail,hereisaresolutiontowhichIbindmyself,comewhatcomemay!YouknowthebronzestatueofPopeJuliusinthegreatsquareofPerugia?Irememberstandingintheshadowofthatstatueonesunnynoontime,andbeingimpressedbyitspaternalaspect,andfancyingthatablessingfelluponmefromitsoutstretchedhand。
Eversince,Ihavehadasuperstition,youwillcallitfoolish,butsadandill-fatedpersonsalwaysdreamsuchthings,——that,ifIwaitedlongenoughinthatsamespot,somegoodeventwouldcometopass。
Well,myfriend,preciselyafortnightafteryoubeginyourtour,——unlesswesoonermeet,——bringDonatello,atnoon,tothebaseofthestatue。Youwillfindmethere!"
Kenyonassentedtotheproposedarrangement,and,aftersomeconversationrespectinghiscontemplatedlineoftravel,preparedtotakehisleave。AshemetMiriam\'seyes,inbiddingfarewell,hewassurprisedatthenew,tendergladnessthatbeamedoutofthem,andattheappearanceofhealthandbloom,which,inthislittlewhile,hadoverspreadherface。\'
"MayItellyou,Miriam,"saidhe,smiling,"thatyouarestillasbeautifulasever?"
"Youhavearighttonoticeit,"shereplied,"for,ifitbeso,myfadedbloomhasbeenrevivedbythehopesyougiveme。Doyou,then,thinkmebeautiful?Irejoice,mosttruly。Beauty——ifIpossessit——shallbeoneoftheinstrumentsbywhichIwilltrytoeducateandelevatehim,towhosegoodIsolelydedicatemyself。"
Thesculptorhadnearlyreachedthedoor,when,hearinghercallhim,heturnedback,andbeheldMiriamstillstandingwherehehadlefther,inthemagnificenthallwhichseemedonlyafitsettingforherbeauty。Shebeckonedhimtoreturn。
"Youareamanofrefinedtaste,"saidshe;"morethanthat,——amanofdelicatesensibility。Nowtellmefrankly,andonyourhonor!HaveI
notshockedyoumanytimesduringthisinterviewbymybetrayalofwoman\'scause,mylackoffemininemodesty,myreckless,passionate,mostindecorousavowal,thatIliveonlyinthelifeofonewho,perhaps,scornsandshuddersatme?"
Thusadjured,howeverdifficultthepointtowhichshebroughthim,thesculptorwasnotamantoswerveasidefromthesimpletruth。
"Miriam,"repliedhe,"youexaggeratetheimpressionmadeuponmymind;
butithasbeenpainful,andsomewhatofthecharacterwhichyousuppose。"
"Iknewit,"saidMiriam,mournfully,andwithnoresentment。"Whatremainsofmyfinernaturewouldhavetoldmeso,evenifithadnotbeenperceptibleinallyourmanner。Well,mydearfriend,whenyougobacktoRome,tellHildawhatherseverityhasdone!Shewasallwomanhoodtome;andwhenshecastmeoff,Ihadnolongeranytermstokeepwiththereservesanddecorumsofmysex。Hildahassetmefree!Praytellherso,fromMiriam,andthankher!"
"IshalltellHildanothingthatwillgiveherpain,"answeredKenyon。
"But,Miriam,thoughIknownotwhatpassedbetweenherandyourself,Ifeel,——andletthenoblefranknessofyourdispositionforgivemeifIsayso,——Ifeelthatshewasright。Youhaveathousandadmirablequalities。Whatevermassofevilmayhavefallenintoyourlife,——pardonme,butyourownwordssuggestit,——youarestillascapableaseverofmanyhighandheroicvirtues。ButthewhiteshiningpurityofHilda\'snatureisathingapart;andsheisbound,bytheundefiledmaterialofwhichGodmouldedher,tokeepthatseveritywhichI,aswellasyou,haverecognized。"
"O,youareright!"saidMiriam;"Ineverquestionedit;though,asI
toldyou,whenshecastmeoff,itseveredsomefewremainingbondsbetweenmeanddecorouswomanhood。Butwerethereanythingtoforgive,Idoforgiveher。Mayyouwinhervirginheart;formethinkstherecanbefewmeninthisevilworldwhoarenotmoreunworthyofherthanyourself。"
CHAPTERXXXII
SCENESBYTHEWAY
WhenitcametothepointofquittingthereposefullifeofMonteBeni,thesculptorwasnotwithoutregrets,andwouldwillinglyhavedreamedalittlelongerofthesweetparadiseonearththatHilda\'spresencetheremightmake。Nevertheless,amidallitsrepose,hehadbeguntobesensibleofarestlessmelancholy,towhichthecultivatorsoftheidealartsaremoreliablethansturdiermen。Onhisownpart,therefore,andleavingDonatellooutofthecase,hewouldhavejudgeditwelltogo。Hemadepartingvisitstothelegendarydell,andtootherdelightfulspotswithwhichhehadgrownfamiliar;heclimbedthetoweragain,andsawasunsetandamoonriseoverthegreatvalley;hedrank,ontheeveofhisdeparture,oneflask,andthenanother,oftheMonteBeniSunshine,andstoredupitsflavorinhismemoryasthestandardofwhatisexquisiteinwine。
Thesethingsaccomplished,Kenyonwasreadyforthejourney。
Donatellohadnotveryeasilybeenstirredoutofthepeculiarsluggishness,whichenthrallsandbewitchesmelancholypeople。Hehadofferedmerelyapassiveresistance,however,notanactiveone,tohisfriend\'sschemes;andwhentheappointedhourcame,heyieldedtotheimpulsewhichKenyonfailednottoapply;andwasstarteduponthejourneybeforehehadmadeuphismindtoundertakeit。Theywanderedforthatlarge,liketwoknights-errant,amongthevalleys,andthemountains,andtheoldmountaintownsofthatpicturesqueandlovelyregion。SavetokeeptheappointmentwithMiriam,afortnightthereafter,inthegreatsquareofPerugia,therewasnothingmoredefiniteinthesculptor\'splanthanthattheyshouldletthemselvesbeblownhitherandthitherlikeWingedseeds,thatmountuponeachwanderingbreeze。YettherewasanideaoffatalityimpliedinthesimileofthewingedseedswhichdidnotaltogethersuitKenyon\'sfancy;for,ifyoulookcloselyintothematter,itwillbeseenthatwhateverappearsmostvagrant,andutterlypurposeless,turnsout,intheend,tohavebeenimpelledthemostsurelyonapreordainedandunswervingtrack。Chanceandchangelovetodealwithmen\'ssettledplans,notwiththeiridlevagaries。Ifwedesireunexpectedandunimaginableevents,weshouldcontriveanironframework,suchaswefancymaycompelthefuturetotakeoneinevitableshape;thencomesintheunexpected,andshattersourdesigninfragments。
Thetravellerssetforthonhorseback,andpurposedtoperformmuchoftheiraimlessjourneyingsunderthemoon,andinthecoolofthemorningoreveningtwilight;themiddaysun,whilesummerhadhardlybeguntotrailitsdepartingskirtsoverTuscany,beingstilltoofervidtoallowofnoontideexposure。
Forawhile,theywanderedinthatsamebroadvalleywhichKenyonhadviewedwithsuchdelightfromtheMonteBenitower。Thesculptorsoonbegantoenjoytheidleactivityoftheirnewlife,whichthelapseofadayortwosufficedtoestablishasakindofsystem;itissonaturalformankindtobenomadic,thataverylittletasteofthatprimitivemodeofexistencesubvertsthesettledhabitsofmanyprecedingyears。Kenyon\'scares,andwhatevergloomyideasbeforepossessedhim,seemedtobeleftatMonteBeni,andwerescarcelyrememberedbythetimethatitsgraytowergrewundistinguishableonthebrownhillside。Hisperceptivefaculties,whichhadfoundlittleexerciseoflate,amidsothoughtfulawayoflife,becamekeen,andkepthiseyesbusywithahundredagreeablescenes。
Hedelightedinthepicturesquebitsofrusticcharacterandmanners,solittleofwhichevercomesuponthesurfaceofourlifeathome。
There,forexample,weretheoldwomen,tendingpigsorsheepbythewayside。Astheyfollowedthevagrantstepsoftheircharge,thesevenerableladieskeptspinningyarnwiththatelsewhereforgottencontrivance,thedistaff;andsowrinkledandsternlookingwerethey,thatyoumighthavetakenthemfortheParcae,spinningthethreadsofhumandestiny。Incontrastwiththeirgreat-grandmotherswerethechildren,leadinggoatsofshaggybeard,tiedbythehorns,andlettingthembrowseonbranchandshrub。ItisthefashionofItalytoaddthepettyindustryofageandchildhoodtothehumofhumantoil。TotheeyesofanobserverfromtheWesternworld,itwasastrangespectacletoseesturdy,sunburntcreatures,inpetticoats,butotherwisemanlike,toilingsidebysidewithmalelaborers,intherudestworkofthefields。Thesesturdywomen(ifassuchwemustrecognizethem)worethehigh-crowned,broadbrimmedhatofTuscanstraw,thecustomaryfemalehead-apparel;and,aseverybreezeblewbackitsbreadthofbrim,thesunshineconstantlyaddeddepthtothebrownglowoftheircheeks。Theeldersisterhood,however,setofftheirwitch-likeuglinesstotheworstadvantagewithblackfelthats,bequeathedthem,onewouldfancy,bytheirlong-buriedhusbands。
Anotherordinarysight,assylvanastheaboveandmoreagreeable,wasagirl,bearingonherbackahugebundleofgreentwigsandshrubs,orgrass,intermixedwithscarletpoppiesandblueflowers;theverdantburdenbeingsometimesofsuchsizeastohidethebearer\'sfigure,andseemaself-movingmassoffragrantbloomandverdure。
Oftener,however,thebundlereachedonlyhalfwaydownthebackoftherusticnymph,leavinginsightherwell-developedlowerlimbs,andthecrookedknife,hangingbehindher,withwhichshehadbeenreapingthisstrangeharvestsheaf。Apre-Raphaeliteartist(he,forinstance,whopaintedsomarvellouslyawind-sweptheapofautumnalleaves)
mightfindanadmirablesubjectinoneoftheseTuscangirls,steppingwithafree,erect,andgracefulcarriage。Themiscellaneousherbageandtangledtwigsandblossomsofherbundle,crowningherhead(whileherruddy,comelyfacelooksoutbetweenthehangingsidefestoonslikealargerflower),wouldgivethepainterboundlessscopefortheminutedelineationwhichheloves。
Thoughmixedupwithwhatwasrudeandearthlike,therewasstillaremote,dreamlike,Arcadiancharm,whichisscarcelytobefoundinthedailytoilofotherlands。Amongthepleasantfeaturesofthewaysidewerealwaysthevines,clamberingonfig-trees,orothersturdytrunks;theywreathedthemselvesinhugeandrichfestoonsfromonetreetoanother,suspendingclustersofripeninggrapesintheintervalbetween。Undersuchcarelessmodeofculture,theluxuriantvineisalovelierspectaclethanwhereitproducesamorepreciousliquor,andisthereforemoreartificiallyrestrainedandtrimmed。
Nothingcanbemorepicturesquethananoldgrapevine,withalmostatrunkofitsown,clingingfastarounditssupportingtree。Nordoesthepicturelackitsmoral。Youmighttwistittomorethanonegravepurpose,asyousawhowtheknotted,serpentinegrowthimprisonedwithinitsstrongembracethefriendthathadsupporteditstenderinfancy;andhow(asseeminglyflexiblenaturesarepronetodo)itconvertedthesturdiertreeentirelytoitsownselfishends,extendingitsinnumerablearmsoneverybough,andpermittinghardlyaleaftosproutexceptitsown。ItoccurredtoKenyon,thattheenemiesofthevine,inhisnativeland,mightherehaveseenanemblemoftheremorselessgripe,whichthehabitofvinousenjoymentlaysuponitsvictim,possessinghimwholly,andlettinghimlivenolifebutsuchasitbestows。
Thescenewasnotlesscharacteristicwhentheirpathledthetwowanderersthroughsomesmall,ancienttown。There,besidesthepeculiaritiesofpresentlife,theysawtokensofthelifethathadlongagobeenlivedandflungaside。Thelittletown,suchasweseeinourmind\'seye,wouldhaveitsgateanditssurroundingwalls,soancientandmassivethatageshadnotsufficedtocrumblethemaway;
butintheloftyupperportionofthegateway,stillstandingovertheemptyarch,wheretherewasnolongeragatetoshut,therewouldbeadove-cote,andpeacefuldovesfortheonlywarders。Pumpkinslayripeningintheopenchambersofthestructure。Then,asforthetownwall,ontheoutsideanorchardextendspeacefullyalongitsbase,full,notofapple-trees,butofthoseoldhumoristswithgnarledtrunksandtwistedboughs,theolives。Houseshavebeenbuiltupontheramparts,orburrowedoutoftheirponderousfoundation。Eventhegray,martialtowers,crownedwithruinedturrets,havebeenconvertedintorustichabitations,fromthewindowsofwhichhangearsofIndiancorn。Atadoor,thathasbeenbrokenthroughthemassivestoneworkwhereitwasmeanttobestrongest,somecontadiniarewinnowinggrain。